Teleworking and Staying Grateful in a Crisis

Today is my 50th day at my parents’ house in South Carolina. It’s my 50th day away from my friends, classmates, professors, roommates, and coworkers; my fifth week of online classes and teleworking. What was once a drastic change of pace has become a new normal, but I still haven’t adjusted to my indoor, isolated, stressful lifestyle. Assignments are harder and harder to turn in on time. Work is slower, less inspiring. Reaching out to loved ones–more important to my mental health now than ever–is increasingly taxing. 

“I try to be grateful everyday.”

I am in an extremely privileged position, all things considered, and I try to be grateful every day. I have a comfortable place to live, loving family members to interact with, enough food, a job, and fulfilling classwork. I have a plethora of craft supplies to keep me busy and creative. If I have all of this, why can’t I work at my usual pace? Why am I so tired? Why, after weeks of practice, am I still so bad at InDesign? Nearly all of my undergrad friends are facing similar challenges, but that doesn’t make it any easier to come to terms with my failure to adapt to this situation. I want to be motivated, so why do I prioritize tending to my lavender plant over my assigned reading? 

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International Women’s Day Feature: Mona Kent

Each month, the Special Collections displays rare, unique items from our collection that resonate with present-day events. On March 1st through March 31, 2013, visit the Maryland Room on the 1st floor of Hornbake Library and delve deeper into women’s history.

Our display honors International Women’s Day on March 8th.


mona_kent

I think how wonderful it would be if some writer could find a formula for giving women the substance and not the shadow of life.

 Mona Kent, in an interview with Time Magazine. September 12, 1949.

Mona Kent (1909-1990) was a radio and TV script writer. She wrote every episode of radio soap opera “Portia Faces Life.” Kent defines the problem driving the emotion in this soap opera as “a conflict between her wish to be a wife and mother, to keep a neat and cheerful home for her husband, Walter, and raise his children properly–and the ever-recurring necessity of being a lawyer and career woman in order to keep groceries in the kitchen.” Clearly, Kent had identified a relevant, divisive problem: an article in “Radio and Television Mirror” in 1950 asks readers, “Does a working wife cheat her family?” and encouraged women to write in with their opinions.

In an interview with Time Magazine, Kent criticizes the soap opera women for the success and power that derives from a set of self-sacrificing virtues. The writer speculated that “possibly, the American woman feels actually so dependent, economically and emotionally, that she has to appease her insecurity by identifying herself with one or more soap opera heroines.” In her novel, Mirror, Mirror on the Wall, Kent writes, “how much should a woman sacrifice for the man she loves?” To Kent, a virtuous and self-sacrificing woman like Portia, defined only by her love for her husband and children, lives only as a formula for soap-opera heroines.