This is a Woman’s World!

Content Warning: This post discusses issues related to sexual assault, abortion, and homophobia.

I just feel like women, they have minds and they have souls, as well as just hearts, and they’ve got ambition and they’ve got talent, as well as just beauty.

Jo March, Little Women (dir. Greta Gerwig, 2019)

Mother nature. Lady Liberty. The Divine Feminine. Womanhood and femininity are intertwined with our vocabulary, inherently linked with our everyday interactions, with the way we speak, the way we think, and the way we see the world around us. Maryland and Historical Collections (MDHC) here at SCUA wants to emphasize that intertwining and uplift women and femme-identifying individuals by highlighting one of our collections that centers their voices.

Specifically, this post will highlight MDHC’s off our backs records. off our backs, or oob for short, was a non-profit feminist journal by, for, and about women, published from 1970 until 2008 in Washington, D.C. The journal covered a wide range of radical and difficult topics, moving seamlessly from local to national to international women’s rights issues, extending its broad reach to ensure everyone who opened the journal’s pages felt seen and included. 

Description of the "Thumb Poke," a self-defense tactic that involves poking an attacker in the eye. A black-and-white illustration depicts one person's thumb overlaying another person's eye.

The journal gave readers a uniquely diverse knowledge of where women stood in the midst of worldwide issues, such as highlighting the plight and fight of Vietnamese women during the Vietnam War (Vol. 3, No. 7), while also providing local information to women in the DMV area, such as a full-page spread listing out the pros and cons of different abortion clinics and gynecological offices in the D.C. Metro area, published directly after Roe v. Wade (Vol. 3, No. 10). In addition, the journal included general survival tips that were useful for women everywhere, with one issue laying out different tactics for physically fighting off would-be rapists (a finger in the eye socket seems to do the trick).

off our backs balanced these necessary but sometimes upsetting facts and stories with the inclusion of beautiful art, prose, and poetry, all created by a diverse group of women. Issues of off our backs are easily recognizable, thanks in part to their bold cover art and unique illustrations.

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New Exhibit: A Tale of Fine Wenches: the Women of The Ladies’ Almanack

“Now this be a Tale of as fine a Wench as ever wet the bed…”

Ladies Almanack, 1928

In honor of Women’s History Month, we are celebrating Djuna Barnes’ female focused comedic satire Ladies Almanack

Ladies Almanack was published in 1928 while Barnes was living as an expatriate writer/artist in Paris. She originally wrote it to entertain her partner Thelma Wood, who had been hospitalized. As such, the bawdy humor and absurdist parody almanac is full of inside jokes and references to Barnes’ and Wood’s lesbian (with the exception of Mina Loy) social circle of fellow modernist writers, artists, socialites, and literary women. 

A new exhibit in Hornbake Library A Tale of Fine Wenches: the Women of The Ladies’ Almanack puts the spotlight on Djuna Barnes and the real women who inspired uproarious drama within Ladies Almanack.  On display are a selection of items from the Djuna Barnes papers, including books, photographs, and correspondence that explores the relationships between these women, varying from platonic to romantic. 

Ladies Almanack features a plethora of particularly scandalous women, whose unique vices reference various women, including Natalie Clifford Barney, Mina Loy, Jane Heap, Margaret Anderon, and Gertrude Stein. Characters also appear based on Romaine Brooks, Janet Flanner, Solita Solano, Elisabeth de Gramont, and Dolly Wilde. Together, these women represent a thriving literary and artistic community living in Paris during the 1920s and 1930s.

These women often met at Natalie Clifford Barney’s Parisian salon, which at the time was a popular place among writers and authors to discuss literature and art. Barnes characterizes Barney’s Almanack persona as an aged proprietor of the feminine arts, emphasizing her role as a mentor to the many women who visited her salon. Among these women, Djuna Barnes and Thelma Wood, and Margaret Anderson and Jane Heap were romantically involved. Barnes and Wood’s tumultuous decade-long relationship inspired Barnes’ novel Nightwood, and Anderson and Heap co-edited The Little Review, a literary magazine infamous for featuring works by prominent modernist writers and the first appearance of James Joyce’s Ulysses in a serial format. 

To explore more, visit  Special Collections and University Archives in Hornbake Library to view the Djuna Barnes papers and works by other modernist writers.  

If you have more questions about items in Hornbake’s collections contact us!

“Get Out the Vote” Digitization Spotlight- Objections to Woman Suffrage Answered by Alice Stone Blackwell

The reasons why women should vote are the same reasons why men should vote – the same as the reasons for having a republic rather than a monarchy.

Alice Stone Blackwell, 1910

Each month, we shine the spotlight on items from the exhibit Get Out the Vote: Suffrage and Disenfranchisement in America that have been fully digitized and made accessible online.

For January, we are showcasing Objections to Woman Suffrage Answered by Alice Stone Blackwell.

Alice Stone Blackwell (1857-1950) was a suffragist, journalist, editor, and activist. This pamphlet, printed in 1910 is her thorough examination and refutation of the arguments commonly made against women’s suffrage. Blackwell responds to 34 arguments, including:

  • Women “don’t understand business”
  • Women as voters could disrupt the established “division of labor”
  • Women suffrage “will lead to family quarrels and increase divorce”
  • If granted the franchise, women should also serve in military and police forces.

You can read the complete digitized pamphlet with of Blackwell’s arguments for women’s suffrage online in the Internet Archive.

Visit the Maryland Room Exhibit Gallery in Hornbake Library to view this item and more on display in the exhibit Get Out the Vote: Suffrage and Disenfranchisement in America or explore the exhibit online.

“Get Out the Vote” Digitization Spotlight- Annual Report of the Philadelphia Female Anti-slavery Society

To overthrow an institution which has grown up, to giant size, in the heart of a mighty nation; which has its foundations in the strongest depraved principles of human nature; which is surrounded and sustained by the sanctions of law and public opinion, and protected by the suffrage of a false religion; to destroy and utterly lay waste such an institution, and to do so by moral influence on the minds of the community, it is not the work of a day, or a year. Such a work is ours. It can be accomplished only by constant and unwearied effort, day after day, and year after year, by seizing every opportunity to pour a ray of light on the darkened understanding, or a softening influence on the hardened heart, till the mind of the nation is renovated, and the pillars of slavery are removed.

Annual Report for the Philadelphia Female Anti-slavery Society, 1938

Each month, we shine the spotlight on items from the exhibit Get Out the Vote: Suffrage and Disenfranchisement in America that have been fully digitized and made accessible online.

For November, we are showcasing the Annual Report of the Philadelphia Female Anti-slavery Society.

The Philadelphia Female Anti-Slavery Society (1833-1870) was formed by women who had been denied positions in the American Anti-Slavery Society, but responded to William Lloyd Garrison’s call for women to become actively involved in the abolition movement. the society circulated petitions to Congress, raised money through annual fairs, organized lectures, held conventions coordinated with other abolitionist women societies, and much more to aid anti-slavery causes in America.

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Featured collection: Filipino American Community Archives

The Rita M. Cacas Filipino American Community Archives documents significant historic events related to the transition of United States’ occupation of the Philippines (1898-1946) to the country’s independence, including Filipino military and government service. Unlike the west coast Filipino immigrants (primarily farmers, laborers, cannery workers) during the first half of the twentieth century, D.C. area Filipino immigrants worked for the U.S. government and the military serving in World Wars I and II, and for federal or local government and educational agencies. This collection is important in depicting the lives of first and second-generation Filipino-American immigrants and how their families developed. The collection demonstrates Washington, D.C., Filipino ties and fluidity of movement to the Philippines, to other areas of the country, and to the Washington, D.C. area. The individuals portrayed in this collection are the Filipinos who eventually created a community in the D.C metro area before the immigration reform of the 1960s and the completion of the Beltway in 1964.

This collection also is also beginning to document succeeding generations of Filipino Americans. After immigration laws relaxed in 1965, the next large wave of Filipinos began arriving and settling in the D.C. . Their stories are very different from the early Filipino immigrants in D.C. who were U.S. colonial and federal civilian government workers, taxi cab drivers, and WWII soldiers who fought under the American flag.

Explore the Filipino American Community Archives collection finding aid

Mr. and Mrs. Panganiban with two other men outside Manila House, 1944

What is a finding aid?

A finding aid is a description of the contents of a collection, similar to a table of contents you would find in a book. A collection’s contents are often grouped logically and describe the group of items within each folder. You rarely find descriptions of the individual items within collections. Finding aids also contain information about the size and scope of collections. Additional contextual information may also be included.

“Get Out the Vote” Spotlight – Frances Ellen Watkins Harper

Let me make the songs for the people, 
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.


Not for the clashing of sabres
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life. 

Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget. 


Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway. 


I would sing for the poor and aged,  
When shadows dim their sight;
Of the bright and restful mansions,  
Where there shall be no night. 


Our world, so worn and weary,  
Needs music, pure and strong,
To hush the jangle and discords  
Of sorrow, pain, and wrong. 


Music to soothe all its sorrow,  
Till war and crime shall cease; 
And the hearts of men grown tender  
Girdle the world with peace.

Songs for the People. By Frances Ellen Watkins Harper.

Frances Ellen Watkins Harper was an abolitionist, women’s rights activist, and acclaimed poet born in Baltimore in 1825. Born to free parents and orphaned at three, Watkins was raised by her maternal uncle Rev. William Watkins, an abolitionist and civil rights activist, and his wife Henrietta. She was educated at her uncle’s school, the Watkins Academy for Negro Youth.

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“Get Out the Vote” Spotlight – Margaret Brent

Margaret Brent was an early advocate for expanding voting rights law, challenging the Maryland General Assembly to grant her voting rights in 1648. 

Margaret Brent, born circa 1600 in Gloucestershire, England, was a prominent attorney, “founding mother” of Maryland, and the first female in the colonies to demand the right to vote in court. She first arrived in St. Marys City, Maryland with three of her siblings in 1638. She subsequently became involved in various business ventures and became the first woman landowner in Maryland. She was renowned for her business savvy and knowledge of the law. In 1647, then-Governor of Maryland Leonard Calvert appointed her executor of his estate shortly before he died. As Calvert’s executor, she played an instrumental role in stabilizing Maryland at a time of political crisis for the colony. 

In 1648, Brent argued before the provincial assembly for a voice in the council and two votes, one as Lord Baltimore’s representative and one as a landowner in her own right. As an unmarried, property-owning gentlewoman, Brent’s argument was consistent with English law, but she was ultimately denied the vote. After falling out of favor with the Calvert family, Brent moved to Virginia, where she died circa 1671.

You can view the transcript of request for the right to vote to the Maryland General Assembly in 1648 in volume 1 of the Archives of Maryland, on page 215. The volume is available in Special Collections & University Archives and online through the Internet Archive:

At the heart of the Special Collections & University Archives exhibit Get Out the Vote: Suffrage and Disenfranchisement in America are advocates, like Brent, and grassroots organizations who have fought for expanding the right to vote. Their individual and collective voices have driven major changes to American voting rights, moving the nation closer to the ideal of “one person, one vote.”

Visit the Maryland Room Exhibit Gallery in Hornbake Library to view the exhibit Get Out the Vote: Suffrage and Disenfranchisement in America or explore the exhibit online.

Pioneer Newswoman Ann Corrick

“Beauteous Ann Corrick, the Radio Gal” (1)

Earlier this year, I wrote about our ongoing efforts in Mass Media & Culture to amplify women’s voices in broadcast history. Investigating intriguing figures in our collections – people once prominent in their fields – often reaches a dead end when trying to assemble a career timeline. Such was the case with a female journalist, active from the 1940s to the 1960s, whose literal voice was among those news stories from Westinghouse broadcasting which we recently digitized. 

Ann Marjorie Corrick achieved several “firsts” as a journalist, research showed, but she seems to have disappeared from the public record after 1970. A published interview or two, an occasional quote in newspapers, and one or two sentences in trade publications during her career were all I could find. Many of her male colleagues at Westinghouse received obituaries in major newspapers. When Corrick died in Palo Alto in 2000, there wasn’t any notice, even in the local press (2). However, what I was able to uncover illuminates the work of a tenacious reporter who forged an impressive career by any standard. 

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Temperance as a Tool for Suffrage

Before women’s rights activists campaigned for suffrage, they called for prohibition. In 1852, four years after the Seneca Falls Convention, Elizabeth Cady Stanton and Susan B. Anthony founded the New York State Women’s Temperance Society. They would not found the American Equal Rights Association until 1866. 

Stanton and Anthony fought for statewide prohibition in New York alongside divorce and other Civil Reforms– like the amendment of the Married Woman’s Property Law, which allowed for property ownership, suits in court, shared child custody, and the rights to earnings and inheritance– before they ever explicitly fought for voting rights. 

Beginning in 1866, they fought for Universal Suffrage with the American Equal Rights Association, but split from the organization in 1869 over its prioritization of suffrage for black men over women. From there, they founded the National Woman Suffrage Association. That same year, the National Prohibition Party was organized. 

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Telling the Stories of Women in Broadcasting

One of the intriguing aspects of working with the Library of American Broadcasting (LAB) collections is discovering, through routine processing, people who developed interesting careers in early network radio and television but are not well-known among broadcast historians. In particular, information on women in broadcasting can be especially scarce, making it challenging to discover the full scope of their contributions to the industry. The relative lack of archival documentation compared to their male counterparts certainly reflects their historic marginalization in the industry.

Sometimes, we have only a few items from which to assemble personal histories, such as those I find while working with our photo archive. Take, for example, this press photo of a woman seated in front of an early NBC “box camera” microphone. An included caption describes her: “Continually on the trail of celebrities to present on the National Farm and Home Hour, Helen Stevens Fisher generally succeeds in presenting at least one nationally famous personality each week. Her early experience as a newspaper reporter serves her in good stead when it comes to getting her guests to tell some of their most interesting experiences.”

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