Whether it is novels like The Hitchhiker’s Guide to the Galaxy, major franchises like Star Trek, or recent television series like Lovecraft Country, science fiction is one of the most popular and profitable genres in pop-culture. And now you can discover science fiction among the Literature and Rare Books collections in Special Collections and University Archives! You can now explore the stories which have influenced the genre, and take a look at our new finding aid for the Howard and Jane Frank Collection of Science Fiction Pulp Magazines!Continue reading
If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes! Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.
Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s. His first novel If He Hollers Let Him Go was published in 1945.
Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).
Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.
Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery. The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.
In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”
Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.
Explore more literary collections held at Special Collections and University Archive here!
Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!