Even if you have never studied literature you are likely familiar with authors like Ralph Waldo Emerson or Charles Dickens. While these authors may have written in different styles and about different subject matter, they were among the most notable authors of the 19th century. To learn more about Emerson, Dickens, and other notable writers of the 19th century take a look at our new libguide on 19th Century Literature!
The libguide draws attention to some of the main collecting areas for Literature and Rare Books, such as illustrated works. Hornbake’s holdings include a variety of different kinds of illustrated works that were popular in the 19th century, from scientific illustrations (Thomas Bewick’s woodcut portrayals of animals) to satirical illustrations (Punch Magazine). The libguide also features highlights from our collection of 19th century literature, such as books published by Kelmscott Press, which reacted against the consumerism and mass production of the late 19th century by producing expensive, high quality books that doubled as works of art.
Katherine Anne Porter was a young, aspiring writer when she contracted influenza during the 1918 pandemic in Denver, Colorado. Her case was so severe she was essentially given up for dead before making a surprising, albeit slow recovery. Read more about her experiences in “Katherine Anne Porter and the 1918 Influenza Pandemic Part I, The Influenza Pandemic in Colorado”. Shortly following her recovery, Porter moved to New York and began her professional writing career. By the 1930s, she waswell on her way to becoming an established author, publishing, among others, the short stories “Maria Concepcion” (1922) and “Flowering Judas (1930).
Katherine Anne Porter portrait, circa 1934-1935. Katherine Anne Porter papers, Special Collections and University Archives, University of Maryland Libraries.
Pale Horse, Pale Rider
Nearly two decades after surviving the 1918 influenza pandemic, Porter drew upon her experience for the short novel “Pale Horse, Pale Rider”. First published in 1938, it is a tragic, surreal, and striking portrayal of facing death during both a pandemic and a period of American history that was already dominated by the immense death and devastation of the First World War.
“I think of my personal history as before the plague and since the plague.” – Katherine Anne Porter to Alfred Crosby, 13 June 1975
An unknown illness, shortage of hospital beds, fever induced hallucinations, and growing fear about a contagious and deadly plague. All of these frightening realities take place against the backdrop of young love and the First World War in Katherine Anne Porter’s “Pale Horse, Pale Rider.” “Pale Horse, Pale Rider” tells the story of trauma and survival during the 1918 Influenza pandemic. A masterfully written short novel woven with poetic and, at times, surreal prose, “Pale Horse, Pale Rider” is also a personal story for Porter, recalling her experience contracting the illness in Colorado in October 1918. With striking similarities to the current pandemic, it is a beautiful, complex, and intimate glimpse into the experience of making it through the other side of a pandemic and the First World War.
Portrait of Katherine Anne Porter taken in early spring, Texas, 1918. Katherine Anne Porter papers, Special Collections and University Archives, University of Maryland Libraries.
In the years leading up to the 1918 influenza pandemic, Katherine Anne Porter (1890-1980) was a bright, aspiring writer who had already faced a tumultuous life. Born in Texas, she was largely self taught and moved often with her family following the deaths of her mother and grandmother in 1892 and 1901 respectively. She was married and divorced three times, briefly worked as a movie extra in Chicago, taught children in a Dallas hospital, and wrote for several newspapers. Although she had begun writing, she had yet to publish in earnest.
For years, works by F. Scott Fitzgerald and Robert Frost have been staples of high school English classes across America. While The Great Gatsby and “The Road Not Taken” may now be regarded as classics, modernism, the literary movement that Fitzgerald and Frost participated in, was originally considered to be a disruptive force against the literary establishment.
We may be self-isolating for the time being, but that doesn’t mean that we can’t travel the world! If you want to learn more about German history and culture, visit the Internet Archive to view digitized items from the University of Maryland’s collection of German books and periodicals.
This digital collection of 29 items spans from 1832 to 1923 and includes a variety of topics. With works on subjects as diverse as the Napoleonic Wars, the Dada movement, bacteriology, art and architecture, World War I, and German poetry, there is something for everyone!
Happy National Poetry Month! As we celebrate some of our favorite poets, it’s also an opportunity to discover someone whose poetry you may not have read before.
One poet worth examining is the Baroness Elsa von Freytag-Loringhoven (1874-1927), the avant garde German poet. Von Freytag-Loringhoven was a woman of many talents. In addition to her work as a poet, von Freytag-Loringhoven was an artist who was active in the Dada movement, which rejected logic and reason in favor of absurdity.
While we’re self-quarantining, one thing many of us have been looking for to pass the time is a good book! If you’re looking for something to keep you company while social distancing, or to read to the family, you may want to find a copy of The Little Prince, the classic novel by Antoine de Saint-Exupéry. First published 77 years ago (April, 1943) in France, it is a beautiful and heartwarming story that continues to be a favorite for the young, old, and everyone in between. If you don’t own a copy of the book, you can also find a film adaptation streaming on Netflix. Although The Little Prince was originally written as a children’s book, its themes of love, loneliness, and friendship have made it popular with readers of all ages.
Before Special Collections and University Archives closed to the public, our Literature and Rare Books staff received a generous donation of over 50 editions of The Little Prince published all over the world, translated in 38 languages! It’s a wonderful addition to our collections, covering topics ranging from book history to modernist literature.
What do Shakespeare, Thomas Hobbes, and Galileo have in common? All three were among the most prominent figures of the Early Modern era, a time period lasting roughly from 1500 to 1700. The Early Modern era was a time of political and religious upheaval. Catholics and Protestants battled with one another for power, and both France and England experienced bloody civil wars. It was also a time of innovation. Advancements in science and technology changed how people saw the world and writers such as Shakespeare contributed the period’s developing literary culture.
If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes! Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.
Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s. His first novel If He Hollers Let Him Go was published in 1945.
Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).
Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.
Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery. The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.
In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”
Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.
Explore more literary collections held at Special Collections and University Archive here!
Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!