New Exhibit: Chester Himes Cover to Cover

If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes!  Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.

Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s.  His first novel If He Hollers Let Him Go was published in 1945.

Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).

Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.

Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery.  The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.  

In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”

Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.

Explore more literary collections held at Special Collections and University Archive here!

Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!

Katherine Anne Porter Correspondence Project: An Introduction

“She always kept things secret in such a public way.”

Katherine Anne Porter, “The Jilting of Granny Weatherall” (1930)

        Katherine Anne Porter’s description of Cornelia, daughter of the titular Granny Weatherall, is apt considering the tensions between Porter’s own private and public personas. Porter, too, was a secretly-public person – she was forthcoming with information about her life and experience, though she sometimes elaborated on the facts, exaggerating details or creating new information.  The reality of her life became mysterious, as Callie Russell Porter became the Katherine Anne Porter who captivated the literary communities of which she was a part. In the margins of Katherine Anne’s books in Hornbake Library’s Porter Room, there are even notes from Katherine Anne’s sister, Gay, that call attention to the points at which Katherine Anne’s stories depart from or obscure the source material of her own life.


Katherine Anne Porter with hair down in garden, Mixcoac, Mexico. Back inscription: “Ophelia in Mixcoac, March 1931.”
Katherine Anne Porter Papers, Special Collections and University Archives, University of Maryland Libraries
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Celebrating Black Authors and Poets in Special Collections

To celebrate Black History Month, a new exhibit is on display in Hornbake Library highlighting black authors and poets from our literary collections in Special Collections and University Archives!

On display are landmark 20th century literary works by Ralph Ellison, James Baldwin, Alex Haley, W.E.B. DuBois, Chester Himes, John A. Williams , and Richard Wright. Also included in the exhibit is poetry by Langston Hughes, Lucille Clifton, and Ted Joans.

Ranging from signed first editions (Invisible Man, Ellison) to popular trade paperback editions (If He Hollers Let Him Go, Himes), these titles offer a glimpse into the wide variety of African American literature and poetry in our collections.

Also on display is a rare edition of Negro Anthology, edited by activist Nancy Cunard. Published in 1934, Negro Anthology is a collection of poetry, historical studies, music, and other writings documenting Black culture of the era. Artists represented in the book include Langston Hughes and Zora Neale Hurston.

Visit Hornbake Library to view these impressive works of literature in person, or visit us online to explore more titles in our literary collections.

Have any questions? Contact us!

Special Collections Celebrates #FrankenReads

Special Collections and University Archives is joining the campus -wide celebration of the 200th anniversary of the publication of Mary Shelley’s Frankenstein with a FrankenReads exhibit in the Maryland Room!

Looking to get into the Halloween spirit? Visit Hornbake Library to view modern illustrated editions of Frankenstein on display, including a pocket-sized Armed Forces edition distributed to soldiers during World War II and editions featuring the artwork of Barry Moser and Lynd Ward.

Step further into the Mary Shelley’s world and explore works by her and fellow writers of the Romantic Era. Included in the display are two first editions of John Polidori’s The Vampyre, a short novel that had it’s beginnings at the same gathering Shelley began telling the story of Frankenstein.

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Also on exhibit are works by Lord Byron, Percy Bysshe Shelley, Robert Burns, Sir Walter Scott, and Johann Wolfgang von Goethe.

Don’t forget to visit more libraries at the University of Maryland, including Architecture, Art, STEM, Michelle Smith Performing Arts Library, McKeldin Library, and Library Media Services for more Frankenreads fun! Visit the Frankenreads @ UMD website for all the events, exhibits, and Frankenreads news.

To explore more works of Romanticism and other literary treasures in Literature and Rare Books collections at Hornbake Library, check out our Literary Research in Special Collections guide.

Visit Hornbake Library to learn about our holdings or contact us for more information.

Newsletter of the Katherine Anne Porter Society – May 2017

Newsletter of the Katherine Anne Porter Society – May 2017

Special Collections and University Archives is home to the Katherine Anne Porter papers and other related collections. The Newsletter of the Katherine Anne Porter Society features updates on Porter activities at the University of Maryland Libraries, articles, meeting summaries, announcements of conferences and literary prizes, and other updates relevant to Porter’s life and work.

Learn more about the Katherine Anne Porter Society online.

Remembering E. Barrett Prettyman

On November 4, 2016, E. Barret Prettyman Jr. (1925-2016) passed away. He was a well-known attorney with an impressive legacy that spans international relations, civil rights, literature, and more. He also holds an interesting connection to American author Katherine Anne Porter and the University of Maryland.

You care about Prettyman if you care about important Supreme Court cases like Brown versus Board of Education, the landmark case that desegregated public schools, and for which Prettyman served as on the advisory council for in 1954. You care about Prettyman if you care about the 1962 release of American prisoners taken during Bay of Pigs crisis during which Prettyman successfully negotiated with then Cuban President Fidel Castro for their return and safe release. You care about Prettyman if you are at all concerned with the House Ethics committee, the First Ammendment, and the death penalty. Over the course of his long legal career, Prettyman became heavily involved with all of these areas of the legal system. The obituaries in the Washington Post and New York Times illustrate his storied career and commitment to the legal system.

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Portrait of Prettyman inscribed to Porter: “For Katherine Anne, With happy memories of lovely, relaxed, and fiery reminiscent afternoons of good talk in the best of company, and with love, Barrett”

As the one of the repositories of Prettyman’s personal papers, Special Collections and University Archives at UMD holds not only the documents that reveal Prettyman’s legal Continue reading