In celebration of Women’s History Month, two new exhibitions are available for viewing in the Maryland Room in Hornbake Library related to the history of women’s suffrage in the local area.
The Washington Home of the Philippine Suffrage Movement exhibit is presented in collaboration with Philippines on the Potomac (POPDC) and with the Rita M. Cacas Filipino Community Archives at the UMD Libraries. The exhibit tells the stories of several extraordinary Philippine women who would go on to change Philippine history and rewrite the nation’s suffrage law. The exhibit features extensive research in local, national, and international libraries and research institutions. In addition, original materials are on display relating to the Filipina suffragist, writer, teacher, and feminist Sofia de Veyra who lived in the United States between 1917 and 1925.
Titchie Carandang-Tiongson and Ewrin Tiongson, the creators of the exhibit, also recently presented their research process and methodology to English Professor Jess Enoch’s undergraduate class ENGL379Z/WMST 498V Special Topics in Literature; Women and Memory in Material and Digital Worlds. The students in the class viewed the exhibit, asked great questions after the presentation, and were able to see how this research process related to their own work at recovering women’s suffrage history in the class.
Materials related to Filipino American history and culture in the UMD Libraies can be found in the Rita M. Cacas Community Archives is available for research consultation in the Maryland Room of Hornbake Library. Numerous images in this community archives collection are also available for viewing in the UMD Libraries Digital Collections. For those interested in pursuing additional research there is also a research guide on Philippine and Filipino American History and Culture available.
A second mini-exhibit on Women’s Suffrage in Maryland is also on display in the Maryland Room. This exhibit showcases materials from Special Collections related to the woman’s suffrage movement and the Equal Rights Amendment (ERA) during the twentieth century. Items of interest include a letter signed by Edith Houghton Hooker, noted suffrage leader and editor of the Maryland Suffrage News; a letter from a member of the Maryland Association Opposed to Woman Suffrage; and a sash worn for a 1978 march in support of the ERA. The materials featured come from a variety of special collections including the League of Women Voters of Maryland archives, the National Organization for Women Maryland Chapter archives, and the Marylandia collection.
The Washington Home of the Philippine Suffrage Movement will be on display through April 29th, 2017. (Exception: the exhibit will be traveling between April 7th and April 16th and unavailable for viewing at that time.)
The Women’s Suffrage in Maryland exhibit will be on display through the end of March.
Be sure to check the Maryland Room hours before planning your visit!
Questions? Contact Liz Novara, Curator, Historical Manuscripts, email@example.com
The idea that history repeats itself is a popular concept. Whether expressed as “those who do not learn history are doomed to repeat it” or “there’s nothing new under the sun,” this concept has found countless different expressions for itself. While it may be a cliche, it is a very real part of working in an archive. The collection could be from 10, 50, or 100 years ago, and I still find myself surprised by how resonant the materials can be with the present. The cartoons of John Stampone is one such case.
Stampone, a Maryland native having lived in Baltimore, Silver Spring, and Olney, drew cartoons that explored foundational concepts of America and the American labor movement (as has been previously discussed with regards to his Thanksgiving cartoons) as well as exploring the critical issues of his day. While looking through his work, I was struck by how some of the images and critiques he makes seem more relevant than ever in 2017.
One such image is a cartoon for the AFL-CIO News celebrating Labor Day in 1978. The cartoon depicts, in the foreground, a hand engraved with the words “U.S. Labor Day.” The hand is holding a radiant gemstone with the words “Human rights” emanating from it. This hand is juxtaposed against an image of the Kremlin the background out of which a hand rises clutching a ball and chain inscribed with “oppression” on it. The stark binary between the darkened Kremlin and the brilliant gem of human rights really speaks to the growing tensions from the 2016 Presidential Election.
The second cartoon that stood out for me is from 1975, also from the AFL-CIO News. It depicts a man, labeled “deepening recession,” hiding around a corner with a club labeled “social, racial tensions” as a pain of men one labeled “human rights” and the other “human relations” begin to turn the corner. The cartoon argues that human rights and relations are threatened by a recession that creates conflicts between classes and races. Coming out of our most recent recession and the political events that have followed, perhaps reaching its climax with the 2016 election, this cartoon remains relevant speaking to our current economic, social, and racial conflicts, almost 50 years later.
The AFL-CIO News is fully digitized online – check it out!
Benjamin Bradley is a second year MLIS student in the College of Information Studies at the University of Maryland. He works in the Labor Collections at UMD’s Special Collections and University Archives. You can also find him over in McKeldin Library where he is the GA for Electronic Resources.
Led Zeppelin Played Here, the most recent film by local filmmaker and UMD alumni Jeff Krulik, explores whether or not the iconic band added a last-minute gig at the Wheaton Youth Center to its tour schedule in January 1969—many in the alleged audience swear the concert took place, but no hard proof has ever confirmed it. Uncovering more questions than answers, Krulik’s film raises important issues regarding the reliability of public memory versus public record, mythmaking in popular music and the challenges of researching a local cultural event.
On Monday, February 13, 2017, UMD Libraries will present a screening of the film, followed by a panel discussion and Q&A from 5:30-7:30 in the Gildenhorn Recital Hall at the Clarice Smith Performing Arts Center. Panelists include Prof. Patrick Warfield (UMD School of Music), Prof. Joanna Love (University of Richmond), Dr. Jesse Johnston (College of Information Studies), Clare Lise Kelly (Montgomery County Planning Dept), and moderator John Kelly (Washington Post). A lobby reception will be held immediately afterwards.
Event is presented with support from the Performing Arts Library (PAL), Special Collections and University Archives (SCUA), the College of Information Studies (iSchool) and the Student Archivists of Maryland (SAM).
This semester we hosted an Open House for University staff and displayed some of the interesting material found within our collection.
Uncle Tom’s Cabin
Three of these items came from our literary collection and included an early edition of Uncle Tom’s Cabin, an inscribed copy of Mark Twain’s Sketches, New and Old, and a 1794 edition of A Vindication of the Rights of Women. These early editions provided insights into the times in which they were produced through their format, inscriptions or by the significance of their ownership. Much can be learned by looking at original copies of common works.
If you would like to talk to us about using our collections for your own research or to support your instruction, please let us know. We often work with faculty and look forward to the opportunity to get to know you and your students.
Research queries to firstname.lastname@example.org
Instruction support queries to email@example.com
A Vindication of the Rights of Women
Mark Twain’s Sketches, New and Old
Versions of a book from manuscript through various publications
Special Collections and University Archives at the University of Maryland Libraries is home to political collections such as the Spiro T. Agnew papers, the Theodore R. McKeldin papers, the Daniel Brewster papers, and the Hervey Machen papers, which contain information and interesting perspectives on local, national, and international events. One such event documented in these four collections is the effort of Marylanders to assist in the relief of Italians flooded out of their homes fifty years ago this month. In early November 1966, much of north-central Italy was inundated by flood waters. As many as 300 people may have been killed, up to 50,000 farm animals were drowned, and countless shops and buildings destroyed (1). Refugees sought shelter in makeshift housing. The cities of Florence and Venice were especially hard hit. Devastatingly, the great concentration of art, architecture, and cultural heritage found in Florence was subjected to flood waters that reached 22 feet high in some places. The National Library of Florence was underwater. Astride the Arno River, the Ponte Vecchio, which dates back 2300 years to Roman times, had been badly damaged.
The Baltimore News American collection includes photographs of the Italian floods of 1966. Special Collections, University of Maryland Libraries.
The response to the 1966 flood in Florence was decidedly international, as Americans Continue reading
Think the current presidential election campaign has been unusual? The new exhibit in the Maryland Room of Hornbake Library explores some of the strange techniques that presidential candidates have used to appeal to voters across much of American history. Candidates (or their spokespeople) have spread serious ideas and spurious notions; built interest from specific demographics of people; sought the support of parties and coalitions of parties; and deployed advertising to increase public visibility and name recognition.
The documents and artifacts in this exhibit date from the 1830s to the 1980s, and are drawn from a variety of collections available for research in the Maryland Room. These include the Spiro T. Agnew papers, the James Bruce papers, the Joseph Tydings papers, the archives of the National Organization for Women (Maryland Chapter), the Rare Books collection, and the Marylandia collection.
Items of particular interest, perhaps, are the autograph letter signed by Senator John F. Kennedy after his nomination by the Democratic Party in 1960, and two official White House photographs, which separately depict Vice President Spiro T. Agnew and President Ronald Reagan. But, then again, there’s the 1932 poster for Franklin D. Roosevelt which promoted “Beer Instead of Taxes.”
Visit these and more in the Maryland Room through the end of October.
In honor of the exhibit “Heavy Metal Parking Lot: The 30-Year Journey of a Cult Film Sensation”, now on display in the Gallery of the Michelle Smith Performing Arts Library, Special Collections is highlighting the expansion of our materials related to local, DIY and underground media. In the latter half of the 20th century, the Maryland/D.C. area gave rise to a number of unique radio, film and music scenes that were largely documented through the DIY efforts of their participants, and the University of Maryland is playing an important role in preserving their histories. The photos, flyers, articles, fanzines, and sound and video recordings that survive in these collections show how local arts communities thrived through the creativity of the people they inspired.
Located across from the circulation desk in the Performing Arts Library, two large display cases showcase items from Special Collections and University Archives (SCUA) and Special Collections in the Performing Arts (SCPA). The SCUA case includes highlights from the WMUC Collection, and the recently acquired Jeff Krulik Collection, and the SCPA case includes highlights from the John Davis Photograph and Poster Collection, the D.C. Punk and Fanzine Collection, the Sharon Cheslow Punk Flyers Collection and the Jason Farrell Collection.