As millions of voters visit the polls to cast their vote this Super Tuesday, we want to share some exciting news about the work that goes on behind the scenes in Special Collections and University Archives. Librarians are busy preparing the next gallery exhibition, to be installed in August 2020, which will explore the history of voting rights in the United States.
The people who have organized at the local level have been incredibly important to voters’ rights and their local stories make up the larger national story of changes to American voting rights throughout this nation’s history. “Get Out the Vote”, the upcoming exhibition will feature material from our collections that illustrate the history and stories of those who have organized to “get out the vote.”
A new exhibit in the Maryland Room celebrates Black and Women’s History Months. Two cases showcase works by and about black women, including essays, poetry, and black student newspapers. They feature civil rights icons like Angela Davis, Pauli Murray, Maya Angelou, and Shirley Chisholm.
Another case explores intersectional feminism as a whole. It includes documents by and about lesbian and trans women, disabled women, Native American and Chicana women, working class women, older women, and women from developing countries.
What is intersectional feminism? Put simply, intersectional feminism emphasizes the fact that all women have different experiences and identities. People are often disadvantaged by more than one source of oppression: their race, class, sexual orientation, religion, or nationality may affect their experience as a woman. Intersectionality explores how multiple identities interact with each other, especially within the frameworks of oppression and marginalization.
If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes! Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.
Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s. His first novel If He Hollers Let Him Go was published in 1945.
Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).
Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.
Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery. The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.
In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”
Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.
Explore more literary collections held at Special Collections and University Archive here!
Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!
Special Collections in Mass Media & Culture is pleased to announce the exhibit “Made Possible By Viewers Like You: Maryland Public Television Turns 50” is now on display in the Maryland Room Gallery at Hornbake Library through July 2020. It celebrates the milestone anniversary of Maryland’s only statewide TV broadcaster, and highlights the fruitful partnership between MPT and UMD Libraries.
The exhibit includes artifacts and documents from 1969 to the present, including the very first Program Journal from 1969, an original script from the 1977 production “Bartleby, the Scrivener”, a GoPro camera smashed during a Motorweek shoot, a trophy case filled with Emmys® and other prestigious awards, and dozens of videos featuring segments from some of their best-known programs.
Nothing in the exhibit would have survived if MPT hadn’t taken great care to preserve their rich and unique history. Unlike most other TV stations—commercial and noncommercial alike—MPT has dedicated the resources to maintain an archive both at its Owings Mills headquarters and at the University of Maryland. After UMD Libraries established the National Public Broadcasting Archives in 1990, MPT was one of the first organizations to begin depositing print and audiovisual materials. The latter presents particular challenges because simply saving AV materials isn’t enough; due to the obsolescence of playback machines and deterioration of master copies, videotapes must be migrated to modern formats in order to ensure the content remains accessible. This is a timely and expensive process.
Fortunately, efforts to preserve public broadcasting in the U.S. have risen dramatically, thanks in large part to the American Archive of Public Broadcasting (AAPB), which just announced the availability of over 50,000 historic public media programs available in the Online Reading Room (ORR). When the AAPB launched in 2013, MPT immediately answered the call to submit programs for digitization, sending over 1500 tapes during the first phase of the project. Since then, MPT and SCUA have continued to work together to digitize their AV holdings at Hornbake Library, which are comprised of Umatic, betacam, VHS, 1” and ¾” tapes and 16mm film. As of fall 2019, nearly 700 programs have been reformatted and are steadily being uploaded into Digital Collections. The newly-established Maryland Public Television Preservation Fund is designed to support this important work well into the future.
Visit the Maryland Room Gallery and find out how MPT has become a national leader in public television and a treasured resource for the state. Hours vary by semester, check current hours online.
Post by Laura Schnitker | Ethnomusicologist, Audiovisual Archivist, and Curator of Mass Media & Culture in Special Collections and University Archives at University of Maryland Libraries
From compiling lists of forbidden works to burning books, censorship has manifested in many forms over the years. Books have often been the target of censorship, usually by religious and political institutions threatened by ideas that challenge how we view the world.
Inspired by the recent School of Languages, Literatures, and Cultures symposium, a new exhibit in the Maryland Room in Hornbake Library highlights artists, authors, and texts that have been banned, erased, and branded dangerous throughout history.
In more recent history, repressive regimes like Franco’s Spain and Nazi Germany in the 1930s were notorious for censorship. Authors and artists who expressed ideas contrary to the government were banned and their books outright destroyed. In Germany and Spain, this included works by Ernest Hemmingway, George Orwell, Franz Kafka, Bertolt Brecht, and others labeled degenerative or subversive.
On display are landmark 20th century literary works by Ralph Ellison, James Baldwin, Alex Haley, W.E.B. DuBois, Chester Himes, John A. Williams , and Richard Wright. Also included in the exhibit is poetry by Langston Hughes, Lucille Clifton, and Ted Joans.
Ranging from signed first editions (Invisible Man, Ellison) to popular trade paperback editions (If He Hollers Let Him Go, Himes), these titles offer a glimpse into the wide variety of African American literature and poetry in our collections.
Also on display is a rare edition of Negro Anthology, edited by activist Nancy Cunard. Published in 1934, Negro Anthology is a collection of poetry, historical studies, music, and other writings documenting Black culture of the era. Artists represented in the book include Langston Hughes and Zora Neale Hurston.
Visit Hornbake Library to view these impressive works of literature in person, or visit us online to explore more titles in our literary collections.
A new exhibit in the Maryland Room highlights recent acquisitions in Special Collections and University Archives!
Included in the display are historic postcards featuring various vacation and other unique tourist locations across the United States, dated from the 1900s -1940s.
Stop by and check out the souvenir folder postcards, which contain several postcards folded up so you didn’t have to send just one! All the postcards on display were donated to the National Trust Library Historic Postcard Collection.
The exhibit also highlights a recent donation of Arthur Rackham illustrations to the Literature & Rare Book collections. Arthur Rackham (1867-1939) was a celebrated illustrator whose work helped spark the Golden Age of Illustration from the 1880s – 1920s in Englad. Rackham is known for the whimsical and dream-like quality of his art. His work was often featured in fairy tales and children’s literature. In addition to several books, a framed illustration signed by Rackham is on display featuring a scene from the Compleat Angler, a popular book celebrating the joys of fishing.
Lastly, the exhibit features another, albeit much older, acquisition to the Literature & Rare Book collections in Special Collections and University Archives. A collection of illuminated manuscript leaves showcase the artistry of hand written and hand decorated medieval books. The leaves are dated between the mid-12th century – 16th century. They represent a variety of regions, including Italy, France, the Netherlands, England, and the Low Countries.
Visit the Maryland Room in Hornbake Library to explore these new treasures in Special Collections and University Archives!
Asking an archivist to pick their favorite item in their exhibit may be the most challenging question you could ever ask them. After spending the past year assisting in all aspects of the exhibit For Liberty, Justice, and Equality: Unions Making History in America, I noticed that one of the most popular items I selected for the exhibit was the United Farm Workers flag. The flag, signed by famous figures Cesar Chavez and Dolores Huerta, commemorates the historic Delano grape strike. The five-year strike started on September 8, 1965 and changed the face of the American labor movement and its attitude towards immigrant workers.
Jen Wachtel with the United Farm Workers flag commemorating the Delano grape strike.
Items from our literary collection include a selection of holiday chapbooks printed by the Spiral Press with the poetry of Robert Frost. Colorful holiday cards from author T.S. Eliot and socialite Peggy Guggenheim to writer/artist Djuna Barnes are also featured. An impressive oversized edition of A Christmas Carol on display was designed and illustrated by W.A. Dwiggins, and was bound in festive green leather and marbled paper design.
We also pulled interesting holiday-themed items from our historical collection, including a set of beautiful Japanese inspired holiday cards received by UMD professor and historian Gordon W. Prange. A variety of presidential holiday cards given to Governor of Maryland Theodore McKeldin include holiday greetings from US Presidents Nixon, Eisenhower, Johnson, as well as the President of Israel Zalman Sazar. A political cartoon with Santa from the AFL-CIO archives and speech given by Vice President Agnew at a tree lighting ceremony on Washington DC also add to the historical holiday fun.