While Djuna Barnes is most known for her fiction writing, she also had significant ties to the women’s suffrage movement. Djuna’s connection to the women’s suffrage movement started at a young age. Djuna’s grandmother, Zadel Gustafson Barnes, was a writer, journalist, and poet. Zadel wrote profiles of well-known suffragists such as Frances E. Willard and participated in the National Woman Suffrage Association’s International Council of Women. Zadel was also active in the temperance movement, which was closely tied to the women’s suffrage movement.
Despite Djuna’s familial connection to the women’s suffrage movement, she had no qualms about occasionally mocking it. In an August 1913 article Djuna portrays the suffragists as making ridiculous statements such as “cleanliness is next to women suffrage.” These depictions portray suffragists as foolish caricatures. Djuna continues this approach in her 1913 article, “70 Suffragists Turned Loose.” Djuna engages with negative stereotypes of suffragists, such as portraying them as figures who emasculate and intimidate men. However, some of Djuna’s criticism is about the perceived conservatism of some suffrage leaders such as Carrie Chapman Catt. Djuna portrays Chapman Catt as admonishing aspiring suffragists for the length of their dresses and preparing them for speeches in front of audiences from “the factory world.” Djuna criticizes Chapman Catt’s focus on respectability politics and her classism, showing a willingness to engage in more nuanced critiques of the suffrage movement.
Recently the staff and volunteers in the Maryland and Historical Collections collecting area completed transcribing 100 of its primary source documents in the Maryland Manuscripts collection. This collection of nearly six thousand individually cataloged items bears witness to a wide breadth of Maryland history, primarily from 1750 to 1900.
This phase of the project focuses on the series “Slavery-related Documents, 1752-1877 and undated.” The documents describe such topics as escape, manumissions, sale, military service, and abolition. Hundreds of these documents are already digitized and available online in our Digital Collections, making transcription the next priority.
While these transcriptions are not yet available online, researchers can reach out to Special Collections and University Archives at AskHornbake@umd.edu for individual access to select transcripts from this series.
Thanks to the small-but-mighty staff, MDHC is fulfilling UMD Libraries’ commitment of increasing access and use to the collections we steward.
Joni Floyd is Curator, (State of) Maryland and Historical Collections in Special Collections and University Archives, UM Libraries.
The first of these films is “CORE: Freedom Ride,” 1961, Presented by the Social Action Commission of the African Methodist Episcopal Church, and sponsored by the Congress of Racial Equality (CORE).
Narrated by James Farmer, National Director of CORE and founder of the Freedom Rides, this film recounts the experiences of Freedom Riders shortly after the rides ended in December 1961. This film includes footage from the Freedom Rides, and testimony from Freedom Riders Jim Peck, Albert Bigelow, and Genevieve Hughes.
Even if you have never studied literature you are likely familiar with authors like Ralph Waldo Emerson or Charles Dickens. While these authors may have written in different styles and about different subject matter, they were among the most notable authors of the 19th century. To learn more about Emerson, Dickens, and other notable writers of the 19th century take a look at our new libguide on 19th Century Literature!
The libguide draws attention to some of the main collecting areas for Literature and Rare Books, such as illustrated works. Hornbake’s holdings include a variety of different kinds of illustrated works that were popular in the 19th century, from scientific illustrations (Thomas Bewick’s woodcut portrayals of animals) to satirical illustrations (Punch Magazine). The libguide also features highlights from our collection of 19th century literature, such as books published by Kelmscott Press, which reacted against the consumerism and mass production of the late 19th century by producing expensive, high quality books that doubled as works of art.
We, too, have enjoyed countless hours of trying to get our favorite villagers, catching fish and bugs (and tarantula hunting), gathering materials, crafting, and building towards that ultimate rush of achieving a 5-star island.
As the nostalgia for campus and being surrounded by fellow Terps has hit us, we began experimenting with adding images that represent UMD to our islands.
We are over a month into quarantine, and for many of us, the loss of baseball hits hard, no pun intended. In lieu of visiting the ballpark, I’ve reached for another Maryland Public Television (MPT) gem: Basically Baseball, a four episode mini-series made in 1973 when MPT was known as the Maryland Center for Public Broadcasting. Shot on-location in Florida during spring training, each 30-minute show features the Baltimore Orioles working on the field and sharing advice on technique. Heavy in hot tips and the inside scoop, Basically Baseball may not be the season as we know it, but it’s basically better than no baseball at all.
Our featured episode aired June 4, 1973. Focusing on fielding, the show acts as an instructional document for young athletes, but could also help the adults who have been recruited to coach despite having zero experience. Split into five sections (“Stance”, “The Glove”, “Ground Balls”, “The Cross-Over Step” and the all-important “Throwing the Ball”), viewers get the excitement of immediate and up-close access to baseball legends while also benefiting from their sound advice. The relatively advanced age of the show does nothing to take away from its value – the tips are as sound today as they were almost fifty years ago. In addition, Basically Baseball’s nostalgic appeal, an enduring element of baseball fandom, is massive, offering today’s fans with a time capsule to experience a slice of the Orioles’ golden years.
We may be self-isolating for the time being, but that doesn’t mean that we can’t travel the world! If you want to learn more about German history and culture, visit the Internet Archive to view digitized items from the University of Maryland’s collection of German books and periodicals.
This digital collection of 29 items spans from 1832 to 1923 and includes a variety of topics. With works on subjects as diverse as the Napoleonic Wars, the Dada movement, bacteriology, art and architecture, World War I, and German poetry, there is something for everyone!
Happy National Poetry Month! As we celebrate some of our favorite poets, it’s also an opportunity to discover someone whose poetry you may not have read before.
One poet worth examining is the Baroness Elsa von Freytag-Loringhoven (1874-1927), the avant garde German poet. Von Freytag-Loringhoven was a woman of many talents. In addition to her work as a poet, von Freytag-Loringhoven was an artist who was active in the Dada movement, which rejected logic and reason in favor of absurdity.