The Labor Heritage Foundation (LHF), an Allied Group of the AFL-CIO, was founded in 1983 by Joe Glazer, Joe Uehlein, and Saul Schniderman. The non-profit strives to promote labor activism through a combination of music, arts, and culture. Donated to the University of Maryland in 2016, the LHF records document decades of labor activities and events including: correspondence with leaders in the labor movement like Pete Seeger and Archie Green, administrative documents, songbooks, photographs, and audiovisual materials.Continue reading
This semester we hosted an Open House for University staff and displayed some of the interesting material found within our collection.
Three of these items came from our literary collection and included an early edition of Uncle Tom’s Cabin, an inscribed copy of Mark Twain’s Sketches, New and Old, and a 1794 edition of A Vindication of the Rights of Women. These early editions provided insights into the times in which they were produced through their format, inscriptions or by the significance of their ownership. Much can be learned by looking at original copies of common works.
If you would like to talk to us about using our collections for your own research or to support your instruction, please let us know. We often work with faculty and look forward to the opportunity to get to know you and your students.
You may know about teen sleuth Nancy Drew, but have you head of Beverley Gray, Sue Barton, Cherry Ames, Judy Bolton, Penny Parker, or Vicki Barr?
Special Collections and University Archives is home to many wonderful book collections dating from the 16th century to the present day. One of our favorite, and perhaps most fun, is the Rose and Joseph Pagnani Collection Girls Series collection, available in Hornbake Library.
These books were targeted to young readers in the 1930s and beyond. They featured independent, fearless, and clever women who solved mysteries and foiled crimes in their everyday lives. The heroines in these novels were often young students or career women. Nancy Drew and Judy Bolton were a teen detectives, Cherry Ames was a nurse, Vicki Barr was a flight attendant, Penny Parker was a newspaper reporter, and Beverly Gray was a college student. And since many of these series spanned several years/decades, it is fascinating to see how these literary women evolved over time, growing older (sometimes) and adapting to cultural changes.
Special Collections and University Archives in Hornbake Library is home to a wide array rare and unique literary collections. From personal papers of authors and poets to early printed works, our collections cross a variety of subjects and time periods in the literary world.
Below are some highlights from our archival literary collections in Hornbake Library:
- Katherine Anne Porter papers
- Personal papers of American author Katheriane Anne Porter (1890-1980), best known for her short stories and novel Ship of Fools (1962).
- Djuna Barnes papers
- Personal papers of avant-garde American writer and artist Djuna Barnes (1892-1982), best known for her novel Nightwood (1936).
- Elsa von Freytag-Loringhoven papers
- Personal papers of avant-garde artist and poet Elsa von Freytag-Loringhoven (1874-1927). She is associated with Djuna Barnes and the Dada movement.
- Ernest Hemingway collection
- A large portion of the collection consists of serials that include stories and nonfiction written by and about Ernest Hemingway (1899-1961). It also includes some original correspondence to and from Hemingway. In addition, there are manuscripts and proofs of Hemingway’s work and biographies of Hemingway.
- Literary First Appearances
- Periodicals containing the “first appearance,” or first public dissemination, of many noteworthy 20th century literary works.
- French Pamphlet Collection
- Approximately 12,000 pieces dating from 1620 to 1966, covering many key episodes in the history of France. The largest part of the collection is made up of 7000 pamphlets from the Revolutionary and Napoleonic eras, 1788-1815.
- African American Pamphlet Collection
- 20th century materials on African, African-American, and Caribbean culture and literature. The collection spans the years 1905-1979, although the majority of the pamphlets date from the 1960s and 1970s.
Rare Book Collections
- German Expressionism collection
- Contains serials and books that reflect German Expressionism, a culural, literary, and artistic movement that began in Germany prior to the First World War.
- William Morris collection
- Works by 19th century British author, socialist, designer and founder of the Kelmscott Press, William Morris (1834-1896).
- Eikon Basilike
- Guide to the Eikon Basilike and related materials held by Special Collections and University Archives
In honor of the exhibit “Heavy Metal Parking Lot: The 30-Year Journey of a Cult Film Sensation”, now on display in the Gallery of the Michelle Smith Performing Arts Library, Special Collections is highlighting the expansion of our materials related to local, DIY and underground media. In the latter half of the 20th century, the Maryland/D.C. area gave rise to a number of unique radio, film and music scenes that were largely documented through the DIY efforts of their participants, and the University of Maryland is playing an important role in preserving their histories. The photos, flyers, articles, fanzines, and sound and video recordings that survive in these collections show how local arts communities thrived through the creativity of the people they inspired.
Located across from the circulation desk in the Performing Arts Library, two large display cases showcase items from Special Collections and University Archives (SCUA) and Special Collections in the Performing Arts (SCPA). The SCUA case includes highlights from the WMUC Collection, and the recently acquired Jeff Krulik Collection, and the SCPA case includes highlights from the John Davis Photograph and Poster Collection, the D.C. Punk and Fanzine Collection, the Sharon Cheslow Punk Flyers Collection and the Jason Farrell Collection.
The University of Maryland is home once again to the minikins – the instructional tools developed in the early 1960s by professors in the College of Home Economics, Eileen Heagney and June Wilbur, along with businesswoman Dr. Dorothy S. Lyle.
The Dorothy S. Lyle, Eileen Heagney, and June Wilbur papers was recently donated by Adele Heagney, Eileen Heagney’s niece, and is now housed in the Historical Manuscripts unit of Special Collections and University Archives at the University of Maryland. The collection consists of six notebooks of correspondence, publications, pamphlets, photographs and other promotional material for the minikins and well as various versions of the minikins and their fashion accessories. The collection will be useful for researchers interested in women’s studies, fashion design, and the history of home economics and dry cleaning.
This June, city streets in America will bloom with colorful celebrations. Pride, this year, marks the 47th anniversary of Stonewall, and the first year since Obergefell v. Hodges. While most of those celebrating are no stranger to the struggle for equality, it can be easy to forget the struggle of the past and the struggles still needed today. Pride at Work, the AFL-CIO LGBT constituency group, and its members have been fighting for LGBT equality since before the organization was founded in 1994. Today, Pride at Work, along with the labor movement, continues the fight for LGBT rights and equality for all workers.
Pride at work is also celebrating its 22nd anniversary this month. On June 24th, 1994, LGBT union activists gathered in New York City to remember the 25th anniversary of the Stonewall Riots. In New York, this network of activists held “The Founding Conference of the Lesbian, Gay, Bi-sexual and Transgender People in the Labor Movement” creating the organization known today as Pride at Work. Three years later, in 1997, it became one of the seven official constituency groups of the AFL-CIO.
‘I could tell you my adventures–beginning from this morning,’ said Alice a little timidly: ‘but it’s no use going back to yesterday, because I was a different person then.’
If you haven’t visited Hornbake Library’s Alice 150 Years and Counting exhibit, you better hurry! Soon there will be no going back to yesterday. The exhibit will be open until the end of July, so be sure to visit (or re-visit!) while you can.
Can’t make it to Hornbake Library in person? Don’t worry, you can visit the online exhibit anytime!
In 1961, Dr. Martin Luther King, Jr., President of the Southern Christian Leadership Conference and leader of the civil rights movement, spoke at the AFL-CIO’s Fourth Constitutional Convention. Though the early labor movement had a complicated history with race relations, by the 1960s the AFL-CIO and the civil rights movement had fully embraced each other in solidarity. President George Meany introduced King as “a courageous fighter for human rights” and “a fine example of American citizenry.”
In his speech, King commented on the similarities between the labor movement and the civil rights movement:
“Negroes in the United States read this history of labor and find it mirrors their own experience. We are confronted by powerful forces telling us to rely on the good will and understanding of those who profit by exploiting us.”
“Our needs are identical with labor’s needs, decent wages, fair working conditions, livable housing, old age security, health and welfare measures, conditions in which families can grow, have education for their children and respect in the community.”
Dr. King also drew attention to the need for solidarity between the two movements: “The duality of interests of labor and Negroes makes any crisis which lacerates you, a crisis from which we bleed.”
King asked two things of the AFL-CIO in his speech: root out racial discrimination in labor unions and provide financial assistance to the civil rights movement. King’s message did not fall on deaf ears: he received a standing ovation from the delegates.
Read more about the labor movement’s relationship with the civil rights movement
How could I possibly choose one item out of so many amazing ones as my favorite?! Early on, I digitized the majority of the items that are in the exhibit, allowing me time to really look through every book as I scanned it. Needless to say, I have quite a few favorites! In order for me to dwindle my list down to one, I focused on one criteria: what was the book that made me completely stop what I was doing because it was so curious? For me, that is my lasting impression of Alice from my childhood, and why I still relate to Carroll’s story as an adult. Alice’s curiosity, the curiosity of the characters and the world that is Wonderland continues to draw people back time and time again.
My favorite would have to be Alitjinya ngura Tjukurtjarangka [Alitji in the Dreamtime], illustrated by Byron W. Sewell. I was incredibly surprised when I first picked it up to find the White Rabbit was a kangaroo!
This was definitely one the cleverest re-imaginings of the Alice characters that I had encountered and stood on its own as a story that illustrated Wonderland in a different culture so well. Sewell’s illustrations are at once similar and arrestingly different than the traditional Alice. His characters are often ethereal, but when he does have them grounded, he depicts the earth with geometric patterns.
Note how realistic Alice looks, but how drastically altered the rest of the characters are depicted.
This is also a bilingual edition, translated into Pitjantjatjara and adapted into Australian English. I enjoy editions with this added factor because it reaches a whole new audience and easily teaches them a little something that could lead to something more. This item is the epitome of what this exhibit aims to represent and why I always include it as an example when I’m describing the exhibit to others.
Honorable mentions [this was inevitable!]:
1. Sakuba‘s intense and instantly classic characters:
2. Rackham‘s muted color scheme and Wonderlandians’ long, spindly features:
3. Kállay‘s warm colors and delightful tea party:
For your listening enjoyment:
Brin Winterbottom is a graduate student at the University of Maryland iSchool. She graduated from the University of Texas at Austin with a Bachelor of Arts in English Literature. She currently works in Hornbake’s Digital Conversion Media Reformatting Center and is conducting her field study with the Alice exhibit team.