Non-fiction writing by black authors covers a wide variety of topics, including pamphlets on politics, racism, activism, and culture in our African American and African pamphlet collection. The subject guide also highlights fiction ranging from children’s books by Chinua Achebe to literary masterpieces by writers such as James Baldwin. Contributions of black artists and printers to other parts of the bookmaking process, such as illustrators like Cledie Taylor and black owned presses like the Broadside Press, are also included.
Even if you have never studied literature you are likely familiar with authors like Ralph Waldo Emerson or Charles Dickens. While these authors may have written in different styles and about different subject matter, they were among the most notable authors of the 19th century. To learn more about Emerson, Dickens, and other notable writers of the 19th century take a look at our new libguide on 19th Century Literature!
The libguide draws attention to some of the main collecting areas for Literature and Rare Books, such as illustrated works. Hornbake’s holdings include a variety of different kinds of illustrated works that were popular in the 19th century, from scientific illustrations (Thomas Bewick’s woodcut portrayals of animals) to satirical illustrations (Punch Magazine). The libguide also features highlights from our collection of 19th century literature, such as books published by Kelmscott Press, which reacted against the consumerism and mass production of the late 19th century by producing expensive, high quality books that doubled as works of art.
“I think of my personal history as before the plague and since the plague.” – Katherine Anne Porter to Alfred Crosby, 13 June 1975
An unknown illness, shortage of hospital beds, fever induced hallucinations, and growing fear about a contagious and deadly plague. All of these frightening realities take place against the backdrop of young love and the First World War in Katherine Anne Porter’s “Pale Horse, Pale Rider.” “Pale Horse, Pale Rider” tells the story of trauma and survival during the 1918 Influenza pandemic. A masterfully written short novel woven with poetic and, at times, surreal prose, “Pale Horse, Pale Rider” is also a personal story for Porter, recalling her experience contracting the illness in Colorado in October 1918. With striking similarities to the current pandemic, it is a beautiful, complex, and intimate glimpse into the experience of making it through the other side of a pandemic and the First World War.
Portrait of Katherine Anne Porter taken in early spring, Texas, 1918. Katherine Anne Porter papers, Special Collections and University Archives, University of Maryland Libraries.
In the years leading up to the 1918 influenza pandemic, Katherine Anne Porter (1890-1980) was a bright, aspiring writer who had already faced a tumultuous life. Born in Texas, she was largely self taught and moved often with her family following the deaths of her mother and grandmother in 1892 and 1901 respectively. She was married and divorced three times, briefly worked as a movie extra in Chicago, taught children in a Dallas hospital, and wrote for several newspapers. Although she had begun writing, she had yet to publish in earnest.
As millions of voters visit the polls to cast their vote this Super Tuesday, we want to share some exciting news about the work that goes on behind the scenes in Special Collections and University Archives. Librarians are busy preparing the next gallery exhibition, to be installed in 2021, which will explore the history of voting rights in the United States. An online exhibit will be available in the Fall.
The people who have organized at the local level have been incredibly important to voters’ rights and their local stories make up the larger national story of changes to American voting rights throughout this nation’s history. “Get Out the Vote”, the upcoming exhibition will feature material from our collections that illustrate the history and stories of those who have organized to “get out the vote.”
Katherine Anne Porter’s story “Pale Horse, Pale Rider” – the titular story of Porter’s 1939 collection – was written on the eve of World War II, but the focus of the story is the last few months of the first World War. Porter was actively involved in political discourse and social protests throughout her life – notably, Porter participated in the protests against the execution of Sacco and Vanzetti – but her political positions changed. Janis Stout notes, “The scholar who seeks to construct an account of her [Porter’s] political and social views is well advised to resist the urge to find, or to impose, an undue coherence.” Despite the shifts in Porter’s political thinking, scholars like Janis Stout and Darlene Harbour Unrue argue for the importance of understanding the radical politics of Porter’s literary circle, as well as the political turbulence during her career and lifetime, in reading and engaging with her work. Stout suggests that if we read the views outlined in “Pale Horse, Pale Rider” as Porter’s own “testimony” – Miranda’s critique of World War I, the senselessness of the violence of war, the manipulation of the Liberty Bond system – we can see Porter as “fresh from the scene of a powerful experience in dissent.” If we view Porter’s story, like Stout, as her testimony critiquing war and United States’ political agenda, what then might a McCarthy-era experimental off-Broadway adaptation make of this source material? How can we read Porter’s response to this particular adaptation of her story?
Porter was disappointed with F. W. Durkee’s 1956 television adaptation of her story, as outlined in the previous post in this series, but she was thrilled the following year, when the off-Broadway production of the stage adaptation premiered. Porter was aware of the difference between her own reaction to the play and that of the critics, as she wrote to David Locher:
Did I tell you that my story Pale Horse, Pale Rider, has been made into an experimental play and is now running off-Broadway, and has had not altogether counting pre-views, twenty-nine performances as of tonight. The critics didn’t like it but somebody does, because the people keep coming in, and my friends seem to love it, and I saw it twice and thought it most impressively done, and such old pros as the critic on Variety, and Tennessee Williams, and William Saroyan and my dear friend Robert Penn Warren rushed to the rescue and are being quoted in the advertisements. So it goes on, but I think it will not last very much longer, the audience for that sort of thing is limited, and nobody expected it to go as far as it has! (30 December 1957)
Unrue, Darlene Harbour, ed. Selected Letters of Katherine Anne Porter: Chronicles of a Modern Woman. University Press of Mississippi, 2012. pg. 259.
Porter keeps track of the reviews of the play in her correspondence, and she also created a scrapbook of various reviews and coverage of the play, including both positive and negative press.
Have you ever wondered what life was like on UMD’s campus during the Vietnam War? Or how our university handled sexual assault cases throughout the decades? How did the Civil Rights Movement impact our campus?
Well, look no further because these five fabulous art history projects have all that information and more!
In the fall of 2018, the students in ARTH260 produced a variety of projects about activism, sexual assault gender inequalities and other important topics using research found in Special Collections. Among these creations were four websites and a video.
Each group project was accompanied by a mixture of art, whether it was paintings, photographs or decorative flyers plucked from our very own archives, and extensive information each group researched for their topics.
The homepage of “One Step Forward, Two Steps Back.”
“One Step Forward, Two Steps Back” discusses the double-standards that women experience during their education and in the workforce. Using yearbook photos from our archives and speaking with students, the website highlights sexist standards women are given — particularly in the mathematics and scientific fields — while men are provided with different guidelines to follow.Continue reading →
Today is May Day! Also known as International Workers’ Day. May Day is considered an international labor holiday. This post highlights some of the materials in our collections related to May Day. Much of our May Day material can be found in the May Day, 1885-1986 folder in the vertical file collection, and the Haymarket folders in the Morris B. Schnapper collection!
May Day was created by a resolution initiated by American Socialists at the International Socialist Congress in Paris, France, in July of 1889. The purpose of May Day was to gain support for an eight-hour work day. The Federation of Organized Trades and Labor Unions of the United States and Canada, precursor to the American Federation of Labor, and the Knights of Labor cooperated in preparing for a general strike in U.S. cities on May 1, 1886. And on that day, approximately 350,000 American workers went on strike, impacting over 11,000 businesses. Although workers in New York, Baltimore, Detroit, Milwaukee, and other cities participated, Chicago was widely considered the center of May Day agitation, largely due to Chicago being one of the few cities with broad union and radical solidarity in support of the eight-hour day.
This past October, the historic preservation community lost one of its champions in Dr. William J. Murtagh. Dr. Murtagh, who served from 1967 through 1979 as the first “Keeper” of the National Register of Historic Places, led the movement and fostered the organization which recorded, approved, and promoted the preservation of historically significant locales throughout the United States. The Special Collections at the University of Maryland libraries is especially proud to house the William J. Murtagh papers, a portion of which has been available since 2004 within the National Trust Library in Hornbake Library.
We are proud to announce a new online resource exploring the life and work American author Katherine Anne Porter is now available!
Katherine Anne Porter: Correspondence from the Archives, 1912-1977 provides access to digitized correspondence written by Porter, whose literary archives is held in Special Collections and University Archives in Hornbake Library. Previously, researchers interested in reading her letters visited the Maryland Room (the reading room for special collections and University Archives) in person or requested photocopies/scans of the materials. Now, users have instant access to approximately 3800 items of her correspondence, which have been digitized and made accessible online, via a searchable and browsable database .
Katherine Anne Porter (1890-1980) is known primarily for her short stories and novel, Ship of Fools. She was awarded a Pulitzer Prize and the National Book Award in 1966 for The Collected Stories of Katherine Anne Porter. She lived a rich life, traveling across the United States and abroad while writing both fiction and nonfiction. Her correspondence highlights her interests in writing, travel, politics, and current events, as well as documenting her private life and career.
Along with images of Porter throughout her life, users can explore details of Porter’s life by decade, as well as by the places she lived and visited, both in the US and abroad. These glimpses into her biography reveal fascinating aspects of her life. For example, did you know Katherine Anne Porter contracted the Spanish Influenza while working as a reporter in Denver? That she lived in Berlin during the rise of the Nazi Party? Did you know Porter lived in College Park, MD? And she lived in Washington D.C. at the time of the Kennedy inauguration?
The Labor Heritage Foundation (LHF), an Allied Group of the AFL-CIO, was founded in 1983 by Joe Glazer, Joe Uehlein, and Saul Schniderman. The non-profit strives to promote labor activism through a combination of music, arts, and culture. Donated to the University of Maryland in 2016, the LHF records document decades of labor activities and events including: correspondence with leaders in the labor movement like Pete Seeger and Archie Green, administrative documents, songbooks, photographs, and audiovisual materials.