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Maryland Day 2016 in Special Collections

Special Collections and University Archives celebrated Maryland Day 2016 with crafting, coloring, croquet, and discovery! Among the activities we hosted in Hornbake Library were kid-friendly crafts like Color Your Own Terrapin, Color Characters from Alice in Wonderland, Perform Your Own Radio Advertisement, and Play a Game of Alice in Wonderland Croquet with flamingo mallets and hedgehogs- just like Alice!

Visitors also had an opportunity to discover more about Special Collections with activities highlighting our collections and exhibits. these included Meet the Real Testudo– the taxidermied terrapin who served as the model for the beloved statue located outside McKedlin Library, View Student Posters on UMD history, listen to the Alice in Wonderland audio book as they walked through out Alice 150 Years and Counting exhibit, and explore one of our newest collections- the Filipino American Community Archives.

Thanks to everyone who stopped by to make it a fun-filled day in Hornbake Library!

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Join us for a Labor History Wikipedia Edit-A-Thon in Hornbake Library

flyer - laborwiki

Join a community interested in promoting labor history by editing the popular online encyclopedia Wikipedia. Part celebration and part workshop, Edit-a-Thons are organized around a single topic as a means to build awareness and community. We’ll draw content from labor-related collections at the University of Maryland, including the AFL-CIO Archives. No editing experience necessary, however participants should have basic computer skills. All participants will receive complimentary issues of Labor’s Heritage journal.

Heavy Metal Parking Lot and the Jeff Krulik Collection

When aspiring filmmakers Jeff Krulik and John Heyn visited the Capital Centre parking lot on May 31, 1986, they had little more in mind than to document a fan scene at full peak. What they ended up creating was a cult film now considered among the greatest rock documentaries of all time. Just under 17 minutes long, Heavy Metal Parking Lot features local heavy metal fans expressing their enthusiasm for Judas Priest before the band performed in concert that night. Thirty years later, the film continues to resonate with fans around the globe.

HMPL Judas Priest banner

The University of Maryland is proud to honor both the legacy of the film and that of its co-producer. Jeff Krulik, a lifetime Marylander and graduate of UMD (B.A. English, 1983), is an independent documentarian, videographer and cultural preservationist who has built a distinct career tapping into the rich ore of local culture in the Maryland/D.C. region. In 1996, the Washington Post noted that his esteemed documentaries “demonstrate a loving eye for Americana and eccentricity.”

Krulik, Maryland Alumni Magazine, Spring 2001, photo by John ConsoliThe Jeff Krulik Collection, acquired by Mass Media & Culture collections within the UMD Libraries’ Special Collections and University Archives in November 2015, includes research files and source tapes for more than a dozen documentaries, as well as photos, catalogs, magazines, guides, posters, ephemera and audiovisual materials that represent a lifetime fascination with the offbeat and unusual. The collection is currently being processed, and will be available to researchers within the next two years.

To celebrate the 30th anniversary of Krulik’s most iconic film, the exhibit “Heavy Metal Parking Lot: The 30-Year Journey of a Cult Film Sensation”, opening next month in the Gallery at the Michelle Smith Performing Arts Library, illustrates the film’s unexpected path from bootleg copies to international fame. Additional items from the Krulik Collection will also be on display.

Please join us for the opening reception in the the Pavilion of the Clarice Smith Performing Arts Center on May 27 from 6-8:30pm. This lively event will feature short presentations by film scholars, a screening of the film and a Q&A session with Jeff Krulik and John Heyn.

Click here for more information.

Organizing for Power and Workers’ Rights in the Twenty-First Century Symposium

On April 14, 2016, University Libraries’ Special Collections in Labor History & Workplace Studies will co-sponsor a symposium exploring workers and organizing in the twenty-first century. This event is open and free to the public. All are welcome to attend!

AFLCIO

Attacks on the freedom to organize in the last several decades have created new challenges for working people. New creative approaches have consequently emerged in sectors across the economy such as in domestic care, fast food, big box merchandising, etc. This symposium seeks to examine all those areas while also placing them within the context of a rapidly globalizing environment.

Elizabeth Shuler, Secretary-Treasurer of the AFL-CIO, will present the keynote address. Panelists include Eileen Boris, Teresa Casertano, Lane Windham, Elly Kugler, Nelson Lichtenstein, and Fekkak Mamdouh.

Afterwards, all are invited to join a reception in Hornbake Library, where attendees can enjoy light hors d’oeuvres and view items from UMD’s labor history collections as well as from the Gordon W. Prange Collection of Occupation-era Japanese print publications.

See a full schedule and more information, and join us on April 14th!

KAP to Moore 1960-05-17

Women in the Archive

One of the best things about working in an archive is the sense of discovery. Right now, I have five boxes on my desk getting ready to be digitized, to make their debut if you will. They all look rather unassuming but shouldn’t be underestimated.

As a graduate student in literature, I spend most of my time thinking about the voices that historically have been rendered silent, barely intelligible. Currently the voice belongs to Katherine Philips, a female poet whose collected works were first printed in an unauthorized edition in 1664. I’m especially interested in reading the undercurrent of homoerotic desires in her poems, which means I’m reading for what is not said. Often, I have to search for what is illicit, unspeakable, and private–essentially what is left out. The secret joy of this work is discovering the voices of women whose rhetoric implied desires that could not be acknowledged or accounted for during their lifetimes. There is something particularly satisfying in creating an account of the unsaid, after all.

But, cumulatively there is a problem: women have occupied influential political and cultural in public spaces, but their histories have remained most alive in the “private” realm of letters and correspondence, buried in organizational records where they are subsumed into larger “genderless” structures of industries and social/political complexes.

That is why I love spending my time with these scraps and remnants–pieces of letters, correspondence, old files–these remnants speak to the many different accounts of history. In the five slender boxes on my desk, I have the thousands of pages of the private correspondence of another Katherine: American novelist, Pulitzer-Prize winner, and National Book Award winner Katherine Anne Porter. Those five boxes contain a powerhouse.

But, even Porter faced some difficulties of being a woman in a male dominated field. In 1946, Porter wrote to Josephine Herbst, another women novelist that, “the ‘serious’ boys are all snobs and all moved by fashion as much as the run of the mill writer.” Porter’s own desires and ambitions pressed her to work despite the challenges she faced as a woman and an outsider. Her correspondence reveals the lengths to which she would go to work, how she would run herself ragged, sick, and poor if she could get a quiet space and a typewriter. For all this, I am most moved by the private letters passed between her and other women.

My desk is littered with post-it notes quotes: to Marianne Moore in May 1960, “But my dear felicitous phenomenon, you are a dragon, has it been left to me to tell you?,” and Moore’s reply, “it is up to you to imagine a felicitous top to my dragon, in other words to make it a unicorn” or to Flannery O’Connor on April 6 1958: “Dear Flannery: I’ll never forget you standing there in the new spring landscape, watching your peacocks coming towards you…such a smiling pleased look in your eyes, it did me good to see it.”

KAP to Moore 1960-05-17KAP to OConnor 1958-04-06

These women are heavyweights of American Modernism whose works eviscerate our ideas of what it meant to be and to be an American in the first half of the 19th century, and in these five boxes are the remnants of what they thought of each other. This summer my “felicitous phenomena,” my “dragons,” will no longer be cooped up on my desk: soon they will all be available online. Our private little scraps will get to join those “serious” projects. The secret will be out of the box.


Caitlin Rizzo is a second year Masters student in the University of Maryland (UMD) Department of English and a Graduate Assistant for Research and Collection Services at UMD’s Special Collections and University Archives. She will begin her Masters in Library Science with the iSchool in Fall 2016.”

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AFL-CIO Merger

In Commemoration
of the AFL-CIO’s 60th Anniversary

Before 1955, the AFL (American Federation of Labor) and the CIO (Congress of Industrial Organizations) were separate, competing organizations.

The two organizations chose to merge in 1955 to strengthen the labor movement and help eliminate competition between unions and workers.

This is a “behind the scenes” look at the logistics involved in working out the details of the merger among members of the AFL-CIO Unity Subcommittee and the earliest attempts at unity with the No-Raiding Agreement. See Meany’s notes on the constitution draft, handwritten minutes from the Unity Subcommittee about early plans for merging departmental staff, and correspondence between Meany and Reuther about the progress of the merger.

Listen to clips from AFL-CIO’s merger convention, held on December 5, 1955:

Click photo to enter Flicker Gallery

George Meany and Other Labor Leaders Look Over the Proposed Constitution

Selected documents, photos, and artifacts from the AFL-CIO Archive are on display in Hornbake Library, University of Maryland until Friday, March 4, 2016.

To learn more about what’s in the AFL-CIO Archive go online to go.umd.edu/laborarchives

E-mail us for more info at askhornbake@umd.edu

To see additional digital photos and documents from UMD’s labor archives, check out go.umd.edu/digilabor

Related Posts

December 5th is the AFL-CIO’s 60th Anniversary!

New exhibit: The AFL-CIO Merger

Curator Pick: Favorite Item from the Alice 150 Exhibit

Shorthand1My favorite item from the Alice 150 exhibit is a small, bright yellow booklet – a transliteration of Alice’s Adventures in Wonderland into Pitman shorthand. This version of Alice was printed in 1965 and is written in New Era Pitman, a style of shorthand soon to go out of fashion with the introduction of the “shorterhand” Pitman 2000 in 1975.

Pitman shorthand utilizes a set of symbols that represent phonetic sounds. These sounds are then strung together to create a words, phrases, and punctuation. Reading shorthand is sort of like playing the game Mad Gab, but a LOT harder.

Let me clarify that I do not know how to read shorthand. It does, however, have a very distinct visual appearance that I recognized instantly when I saw this version of Alice. I’d seen this strange language before.

Back in 2014, we digitized a few Brooke Family letters from Special Collections that contained mysterious notes written in shorthand.

We harnessed the power of the internet via Twitter and Tumblr to try and translate them, but so far haven’t been able to read the notes. They remain an archival mystery…

I’m hoping to teach myself stenography one day. Perhaps I’ll start with Chapter Five, Advice From a Caterpillar:

 

Visit the Alice 150 and Counting exhibit in Hornbake Library to view more curious versions of Alice’s Adventures in Wonderland, or explore our online exhibit.


Audrey Lengel is an intern for Hornbake Library’s ‘Alice 150 Years and Counting…The Legacy of Lewis Carroll’ exhibit. She is graduating this December with her Master of Library Science from UMD’s iSchool and is interested in library outreach. Prior to attending the University of Maryland, she received her Bachelor of Arts in Rhetoric and Public Advocacy from Temple University.