The ABCs of Katherine Anne Porter: O is for…

Old Mortality!

First published in 1937 by Southern Review and in volume 5 of Fiction Parade, Old Mortality is a short novel written by Katherine Anne Porter. It tells the story of Miranda and her sister, Maria, growing up in the South. The pair live in the shadow of their deceased Aunt Amy, who is remembered by most family members as faultlessly beautiful and charming.

Every woman in the family is continuously compared to Amy causing friction and rebellion — and because of that adulation one aunt despises the whole family, Amy’s sister never wed and became a stern suffragist, and Miranda runs away from school to elope. It is later revealed that Amy was indeed rebellious herself, causing scandals with strange men and strife within her family. Ultimately, the story is about how memory shapes one’s sense of self and the need to find your own path in life.

Old Mortality is often examined together with Porter’s other “Miranda stories,” which include The Circus, The Fig Tree, The Grave, Pale Horse Pale Rider, and Holiday. Although the Miranda in each is story is not the same woman, she is thought to be Porter’s fictionalized self, exploring Porter’s own struggles with society expectations and personal growth.

You can explore digitized letters by Katherine Anne Porter’s online in the online exhibit Katherine Anne Porter: Correspondence from the Archives, 1912-1977.

Browse the finding aid to the Katherine Anne Porter papers to learn more about Porter’s hobbies and manuscripts!


Mattie Lewis is a student in the Masters of Library and Information Sciences program and Graduate Assistant with the Katherine Anne Porter Collection at UMD.

Special Collections Spotlight: Elsa von Freytag-Loringhoven papers

Elsa von Freytag-Loringhoven, also know as the Baroness, (1874-1927) was an avant-garde artist and poet associated with the Dada movement. She was born Else Hildegard Ploetz on July 12, 1874, in Swinemunde on the Baltic Sea, in present day Poland but then a part of Germany. In 1892 she ran away from home and moved to Berlin, where she lived with her mother’s sister and frequented Bohemian theatre circles. She eventually moved to New York and was active in Greenwich Village from 1913 to 1923, where her radical self-displays came to embody Dada. She was close friends with artist/writer Duna Barnes.

After her death in 1927, von Freytag-Loringhoven’s papers fell into Barnes’s possession. Beginning in 1932, Barnes attempted to write a biography of von Freytag-Loringhoven (based on a draft of an autobiography and miscellaneous notes and letters she had sent to Barnes), but the project was ultimately dropped.

The Elsa von Freytag-Loringhoven papers are held in Special Collections & University Archives at the University of Maryland. The papers consist of correspondence, poetry, and biographical and autobiographical notes and manuscripts documenting her life and literary career. Among the significant correspondents are Djuna Barnes, Peggy Guggenheim, and Berenice Abbott.

View our online exhibit “In Transition: Selected Poems by the Baroness Elsa von Freytag-Loringhoven

Browse the finding aid to the Elsa von Freytag-Loringhiven papers.

Contact us for more information about the collection! 


What is a finding aid?

A finding aid is a description of the contents of a collection, similar to a table of contents you would find in a book. A collection’s contents are often grouped logically and describe the group of items within each folder. You rarely find descriptions of the individual items within collections. Finding aids also contain information about the size and scope of collections. Additional contextual information may also be included.

The ABCs of Katherine Anne Porter: N is for…

New Year and Noon Wine!

Happy New Year! We are back learning about the life and works of Katherine Anne Porter through the alphabet!

Noon Wine is a short novel by Katherine Anne Porter, originally published as a stand alone in 1937, then again two years later as included in the trio of works in Pale Horse, Pale Rider (1939). When writing Noon Wine, Porter drew inspiration from an incident in her childhood and her interactions with seasonal crop workers to write the tale. Set in South Texas, Noon Wine follows farmer Royal Earle Thompson, his family, and farmhand Olaf Helton. Themes of morality, the outsider, and guilt are among the many ways readers can examine the characters and events of Noon Wine. Like much of her fiction, Porter delves into the complexity of the human experience and memory in a way that highlights the power and sensitivity of storytelling within the literary modernism genre.

The story was adapted into a radio episode of NBC University Theatre in 1948. In 1966, the story was turned into a made-for-TV movie, with Porter collaborating on the script. The movie was a success and nominated for Best Movie Adaptation by the Writers Guild. In 1985, PBS adapted the short novel again for American Playhouse.

You can view digitized letters by Katherine Anne Porter’s online in the online exhibit Katherine Anne Porter: Correspondence from the Archives, 1912-1977.

If you are on the University of Maryland campus, you can access our digital collections and listen to Porter read Noon Wine!


Mattie Lewis is a student in the Masters of Library and Information Sciences program and Graduate Assistant with the Katherine Anne Porter Collection at UMD.

Special Collections Spotlight: German Expressionism

German Expressionism is a cultural movement that is challenging to define as it is not distinguished by a singular style or method of creation, but rather is better described by both the mindset of the artist creating the work and the generation they lived in. The German Expressionists were artists, writers, and thinkers who were of age in Germany prior to World War II, and lived during Wilhelm II’s reign. German Expressionism developed as a result of the younger generation’s reaction against the bourgeois culture of Germany during this time period. The German Expressionist movement was more than just a style of creating works of art or of telling a story, rather it was more of a mindset that had social, cultural, and political aspects. German Expressionism can be understood as a means of approaching life and, in particular, change.

The significance of German Expression is in its ephemeral nature. Many of the publications that resulted from the movement were serials printed on cheaply made paper that has become brittle over time. The movement as a whole was transitional, and it reflected German culture in that moment of change. The movement did not last an especially long time, and started to fade out as its artists and writers aged. As the National Socialists gained power in Germany, Expressionism was rejected and condemned, and many of the works produced in the style of the movement were burned and destroyed.

Explore the German Expressionism collection Subject Guide.

To view any German Expressionism titles visit the Maryland Room in Hornbake Library or if you have any questions, please contact us!


What is a Subject Guide?

A Subject Guide, also called a LibGuide, is a web page developed by library staff that focuses on a specific subject area. In any subject guide you may find databases relevant to the subject area, links to websites, journals and magazines, recommended books, library contacts for a specific subject, and much more.

Special Collections Spotlight: Katherine Anne Porter papers

Special Collections and University Archives in Hornbake Library is home to the literary archive of Texas-born author Katherine Anne Porter (1890-1980). She is best know for her short stories and bestselling novel Ship of Fools. She was awarded a Pulitzer Prize and the National Book Award in 1966 for The Collected Stories of Katherine Anne Porter.

Porter’s personal papers reflect her interests in writing, travel, politics, and current events and also document her private life. The collection includes correspondence, notes and drafts for her works, publications, legal documents, and financial records. It also includes over 1,500 photographs from her personal collection, dating from the 1890s to 1979. Subjects of both snapshots and professional portraits include Porter, her family, friends, homes, and places she visited. The Porter collection also contains memorabilia, including Mexican pottery, furniture, awards, and diplomas, as well as her personal library. Many of these objects and a portion of her library are housed in the Katherine Anne Porter Room in Hornbake Library.

Shortly after accepting an honorary degree from the University of Maryland in 1966, Porter announced that she would donate her papers, personal library, and other personal effects to the University of Maryland, where the Katherine Anne Porter Room was dedicated in McKeldin Library on May 15, 1968. She moved to College Park in 1969, in part to be closer to the university and her papers. From that time until ill health prevented it, Porter often visited the room to work on her papers. She thought of it as a place where individuals could “view and enjoy her library and furnishings” in an atmosphere that reflected her personal taste and style.

View our online wxhibit “Katherine Anne Porter: Correspondence from the Archives 1912-1977“.

Browse the fining aid to the Katherine Anne Porter papers.

Contact us for more information! 


What is a finding aid?

A finding aid is a description of the contents of a collection, similar to a table of contents you would find in a book. A collection’s contents are often grouped logically and describe the group of items within each folder. You rarely find descriptions of the individual items within collections. Finding aids also contain information about the size and scope of collections. Additional contextual information may also be included.

The ABCs of Katherine Anne Porter: M is for…

Marginalia!

When Katherine Anne Porter donated her literary papers to University of Maryland in the 1960s, she also donated her complete personal library of over 3,800 titles. The collection covers a little bit of everything from history to poetry to hobbies. One of the most interesting parts of the collection is the marginalia – Porter’s scribbled handwriting on end papers and next to interesting paragraphs throughout her books.

Marginalia is a Latin term that refers to notes and drawings along the text block in a book. It’s one of the ways we can observe how readers interact with their books. Opinions on specific passages, personal edits, bored doodles, and all sorts of comments that a passionate reader will leave inside the pages of a book. Porter, an avid reader and author herself, often marked up the copies of teh books in her personal library, leaving us evidence of her thoughts and relationship to a particular work.

There are several kinds of markings you can discover in the Katherine Anne Porter Library. In some cases, Porter marked the front of books with the date and place where they were acquired. Sometimes she wrote notes about the author, especially if they were friends of hers. More commonly, Porter jotted down her thoughts on the content including research notes for her own writing pieces or missives on the book’s theme. She was a very opinionated woman and her marginalia reflects it.

For example, opening a copy of Sigmund Freud’s A General Introduction of Psychoanalysis and The Life and Work of Sigmund Freud, you will uncover Porter’s distaste for the famed Austrian neurologist . Her comments show a hatred for Freud, calling him an idiot, among other names, and making lengthy comments throughout the text. Another interesting example of marginalia is Porter’s copy of Robert McAlmon’s Being Geniuses Together, which details the writings and personal anecdotes of many Modernist writers whom Porter met through social and literary circles in Paris and beyond. In her personal copy, Porter went through and marked everyone who she outlived and added the occasional captious comment on their personality. 

Not every book has extensive notes, but the marginalia provides unique insight into Porter’s mind and is a useful reference tool for researchers. Currently, we are compiling a list of which books have marginalia and the type of notation and hope to add it to the Katherine Anne Porter finding aid once it is completed.

You can explore digitized letters from Katherine Anne Porter in the online exhibit Katherine Anne Porter: Correspondence from the Archives, 1912-1977.

Browse the finding aids to the Katherine Anne Porter papers and visit us in person to see more of Katherine Anne Porter’s personal library. Contact us to learn more!


Mattie Lewis is a student in the Masters of Library and Information Sciences program and Graduate Assistant with the Katherine Anne Porter Collection at UMD.

New Exhibit: The Joy of Cooking in Special Collections

It’s the holiday season and we have cooking on the mind in Special Collections at UMD! For many, our relationship with food stems from a desire not just to sustain ourselves, but also to find comfort within and to bring comfort to others. Food helps us understand who we are by reflecting our heritage, talents, or personality. What we cook and eat can provide a glimpse into how adventurous, nostalgic, creative, communal, organized or practical we truly are. Eating and cooking gives us the opportunity to create and share memories, especially when exploring recipes passed down over generations. Even when we cannot be with our loved ones, aromas and flavors can evoke nostalgia and connect us with our past.

A new exhibit in the Special Collections & University Archives reading room, The Joy of Cooking in Special Collections reflects our human desire to share a meal, find joy, and explore who we are through the experience of cooking and eating. On display are cookbooks, recipes, and other items from Special Collections and University Archives that highlight the joy of cooking.

Included in the exhibit are personal recipes and annotated cookbooks from the literary archive of American Author Katherine Anne Porter (1890-1980). Porter loved to cook and was inspired by her world travels to experiment in the kitchen. A native Texan, she spent time in Paris, Mexico, Washington D.C., and New York among other locations across the word. Her recipes for classic holiday dishes include turkey stuffing, eggnog, beef bourguignon, and roasted goose, perfect for a throwback holiday feast!

Porter collected a wide variety of cookbooks from the classic to the strange, often writing notes and substitutions over the original recipe, or simply writing “this” next to the recipes she wanted to cook. Her archives include both typed and handwritten recipes, sometimes featuring personal reminiscences about her favorite dishes. Porter was known to craft her own recipes and send samples off to friends, including her highly requested hell broth-a fermented pepper sauce made with dark rum, cognac, and three pounds of mixed hot peppers. You can read more about Porter in the kitchen in our ABCs of KAP blog post.

Also on display are cookbooks from the rare books collection and Maryland collection, the latter featuring regional recipes to the state of Maryland including regional favorited such as Old Bay, crabs, and oysters. Many regions have their own culinary traditions and local residents often pride themselves on loving those food items that are most closely connected with their hometown. Maryland embraces its connection to seafood, especially Maryland Blue Crabs, and the increasingly ubiquitous Old Bay spice which pops up in both sweet and savory treats, as well as beverages.

Cookbooks from the rare book collection range from medieval cooking with medicinal herbs to regional dishes from across the world. Some early cookbooks combined domestic medicine with cooking and other household skills, so the savvy reader could review a copy of A Treatise of Domestic Medicine (1888) to find a remedy for rickets as well as a dozen or so fish recipes to cook for the family. 

Some rare book dishes may seem unfamiliar today, such as beef tongue toast, boiled pigeon, or mock turtle soup. The format may also seem unusual, with the ingredients not listed separately at the top and the instructions condensed in one paragraph. The recipes within however, are glimpses into the culinary past and can inspire nostalgia for a home cooked meal.

The exhibit also highlights cooking in postwar Japan from the Gordon W. Prange Collection. On August 15, 1945, Japan surrendered unconditionally to the United States and Allied Powers, ending World War II. In the aftermath, thousands of U.S. military and civilian personnel and their families moved to Japan to oversee the rehabilitation of the defeated nation. Materials from the Gordon W. Prange Collection highlight how the “American dream” was represented by these communities and how in turn, the Japanese people envisioned their own dreams as they rebuilt their lives. These highly illustrative and colorful cookbooks each tell a story of food and community in this unique post-war environment.

The exhibit is on display in the Maryland Room thru December 23, 2022. Visit us or contact us to learn more.

Special thanks to Prange Collection Coordinator Motoko Lezec and Katherine Anne Porter Graduate Student Assistant Mattie Lewis for their inspiration for this exhibit!

Special Collections Spotlight: William Morris papers

William Morris (1834-1896) was an English artist, author, socialist, and printer. He is best known for his association with the Pre-Raphaelite Brotherhood and as a central figure of the English Arts and Crafts Movement.

Morris rose to popularity as the author of the epic poem The Earthly Paradise (1868-1870). Morris’s other well known works encompassed several genres and styles, including narrative poetry, fantasy and utopian novels, translations of Icelandic and other early works, essays, and short stories. These works include The Defence of Guenevere and Other Poems (1858), A Dream of John Ball (1892) News from Nowhere (1893), and The Wood Beyond the World (1894).

Morris founded the design company Morris, Marshall, Faulkner, & Co. in 1861, which was restructured as Morris & Company in 1875. Morris and company specialisted in designing textiles, wallpapers, and furniture with the goal to remedy the pervasiveness of cheaply-made, mass produced furnishings that lacked any sense of beauty or style. Morris was also influential in the emergence of socialism in England in the nineteenth century, having founded the Socialist League in 1884.

In 1891, Morris founded the Kelmscott Press, which produced books modeled after fifteenth-century works. The press produced 53 titles during its 7-year operation. His 1896 edition of the Works of Geoffrey Chaucer, referred to as the Kelmscott Chaucer, is often regarded a pinnacle of book design.

The William Morris papers includes correspondence from Sydney Cockerell, Jane Morris, and William Morris, a manuscript by Stopford Augustus Brooke, as well as books from Morris’ personal library, the Kelmscott press, and others, as well as ephemera. Books printed at the Kelmscott Press and other works by and about William Morris can be found in our rare books collection.

View our online exhibit “How We Might Live: The Vision of WIlliam Morris”

Explore the subject guide, William Morris and the Kelmscott Press.

Browse the finding aid for the William Morris papers.

Check Out Previous Blog posts on William Morris.

Contact us for more information! 


What is a finding aid?

A finding aid is a description of the contents of a collection, similar to a table of contents you would find in a book. A collection’s contents are often grouped logically and describe the group of items within each folder. You rarely find descriptions of the individual items within collections. Finding aids also contain information about the size and scope of collections. Additional contextual information may also be included.

What is a Subject Guide?

A Subject Guide, sometimes called a LibGuide, is a web page developed by library staff that focuses on a specific subject area. In any subject guide you may find databases relevant to the subject area, links to websites, journals and magazines, recommended books, library contacts for a specific subject, and much more.

The ABCs of Katherine Anne Porter: L is for…

Lecture!

Katherine Anne Porter supported her writing by guest lecturing at conferences or working as a writer-in-residence. Porter estimated that she visited over 200 colleges and universities around the world. The reason Porter gave so many lectures, she said in an interview, is that if you want to write what you like, “you have to have a side job for your bread and butter. I developed a secondary skill of talking peoples ear off… I have been doing this for 35 years and students have remained the same, only with tighter pants and longer hair.”

Porter’s success with a summer class at Stanford University in 1947 resulted in several long teaching stints at universities: Stanford University (1948-1949); University of Michigan (1953-1954); University of Liege (Fulbright Fellow, 1954); University of Virginia (1958); and Washington and Lee University (1959). She also lectured at the University of Maryland, where she received an honorary degree. You can listen to her lecturing for Marc Kever’s English class in the Katherine Anne Porter Room in McKeldin Library on December 14, 1972: https://av.lib.umd.edu/media_objects/gm80hw07f (access restricted to users at the UMD College Park Campus).

Porter preferred evening lectures, as she liked to wear an evening gown and gloves. She wanted her appearances to be a memorable event! After the reading or discussion she would sign books and chat with attendees. Porter was a natural conversationalist. During her lectures she wanted the freedom to follow the natural course of an conversation, so she never wrote a script and made very few notes.

When she was a writer-in-residence, she tried to keep as simple of a schedule as she could manage. Two classes a week was more than enough to fill her time because she would inevitably receive endless social invitations from faculty and student group, leaving little to work on her own projects. She liked to have personal interactions with her students and would throw beef and beer parties to get to know them. Students were fond of Porter and still wrote her letters after the courses finished. 

Porter’s top advice for students? Learn how to read! In her opinion, students should read a little of everything, starting with her favorite literary work – Homer’s Odyssey. To Porter, books were meant to expand your thinking and she tried to impress upon students that becoming a great reader and writer takes a whole lifetime as there is always more to learn.

You can explore digitized letters from Katherine Anne Porter in the online exhibit Katherine Anne Porter: Correspondence from the Archives, 1912-1977.

Browse the finding aid to the Katherine Anne Porter papers and visit us in person to learn more about the partnership between University of Maryland and Katherine Anne Porter. Contact us to learn more!


Mattie Lewis is a student in the Masters of Library and Information Sciences program and Graduate Assistant with the Katherine Anne Porter Collection at UMD.

The ABCs of Katherine Anne Porter: K is for…

Kitchen!

Katherine Anne Porter loved to cook and entertain! She would swap recipes via letters and entice her friends to visit with promises of blueberry pancakes and smoked oysters. Even the simplest of dinners was an occasion for Porter. She would create detailed menus listing the attendees, courses served, and drinks to match. Bigger events like holidays and parties were an excuse for Porter to indulge in Moët champagne and cook favorite recipes from her travels around the world. Over the years, she saved labels from different products and write anecdotes about the meal and who she shared it with. When friends couldn’t make a visit, Porter would mail them her homemade “Hell Broth,” a fermented pepper sauce, to add warmth to soups and sauces. 

When the rubber spatula came out in 1920’s, it was a big deal for Porter who claimed it to be an astounding utensil! Porter’s interest in cooking lead to experiments with different ingredients. Sometimes her experimental cooking would go so far as to transform a recipe into a completely different dish from a totally different culture. She only measured by eye, calling the ability to cook a “gift” that required “your eye, your hand, and your sense of smell and taste to be present and all good friends.” Outside of dinner parties and recipe adventures, Porter took great joy in simple food too, like the perfect piece of toast. Of course, the bread was always homemade and it would be served alongside her kitchen staples of a cheap beefsteak and Old Forester whisky.

You can see some of Porter’s recipes and cookbook collection on display now in the Maryland Room! Browse the finding aid for the Katherine Anne Porter papers to explore her collection at UMD. Contact us to learn more!


Mattie Lewis is a student in the Masters of Library and Information Sciences program and Graduate Assistant with the Katherine Anne Porter Collection at UMD.