Happy Maryland Day! The crowds are staying home this year while we all practice social distancing, but you can still enjoy a bit of Special Collections and University Archives fun from home!
Start off with the official UMD Maryland Day activity book! You can color Testudo, play work search, create finger puppets, and lots more! Download online: http://go.umd.edu/mdbook
Here are a few Maryland Day activities from Special Collections and University Archives you can explore from the comfort of home:
COLOR OUR COLLECTIONS
Get creative and unwind with these ready-to-color illustrations curated from our Rare Books collection! Choose from a selection including artwork by William Morris, Walter Crane, George Gaskin, and John Tenniel.
MAKE AN ORIGAMI HEART
Show your love with origami! ♥♥♥ Every Maryland Day in Hornbake Library, staff from the Gordon W. Prange collection show visitors how to make origami hearts. Grab some paper and follow the directions in the video below to make you own!
The coronavirus pandemic has many of us from Special Collections and University Archives (SCUA) working from home, which provides the opportunity for me, student assistant Emily Moore, to get to know our collections in a new way. My current project at Hornbake involves working closely on our collection of Maryland Public Television (MPT), which celebrated its milestone 50th anniversary in 2019 (check out the online version of our gallery exhibit. As a recent transplant from the West Coast, I have discovered that working with MPT content provides me a unique lens into Maryland culture and history. A wide range of television content that dates from the 1970s is available from SCUA in our Digital Collections database. Through watching four episodes of MPT programs, I got an intimate, first-hand introduction to Maryland. Today’s post focuses on Chesapeake Bay Cooking with John Shields, but be sure to check back for subsequent posts about MPT classic programming including Crabs, Our Street and Basically Baseball.
Chesapeake Bay Cooking with John Shields is hosted by Baltimore native John Shields, who balances interludes of cooking with explorations of the Mid-Atlantic landscape, combining his love of animals, plants, learning and food. Each episode features a different region, offering viewers an armchair trip that is especially welcome as we socially distance and remain in our homes. In his April 7, 1998 episode on Bishop’s Head, we learn how to make Maryland fried chicken and bread in the shape of a crab. As a woman born and raised in Colorado, I had to Google what a blue crab looked like in order to make sure I structured mine correctly. Turns out they’re beautiful. Here’s a picture of one featured on a postcard from the National Trust Library Postcard Collection:
I love fried chicken, but I have always been reluctant to try making a batch without a fryer. John Shields, however, demonstrates an easy way to use a pan frying technique. Thankfully, I already had most of the ingredients, but because of the pandemic I had to create my own homemade buttermilk and Chesapeake Bay seasoning substitutes. (Was Shields referring to Old Bay? Keep in mind I only learned about Old Bay six months ago, and I definitely don’t have any in my kitchen (yet!). I approximate my own and hope for the best; I won’t be able to tell if it’s wrong anyway.
I put the chicken in one morning to soak up all the goodness overnight. Shields really sells this recipe by promising lots of secrets, and boy does he deliver. Here they are: hot oil (400 degrees), a BIG skillet with a cover and cooking for 20 minutes. It turned out as juicy as Lizzo’s big hit last year.
As millions of voters visit the polls to cast their vote this Super Tuesday, we want to share some exciting news about the work that goes on behind the scenes in Special Collections and University Archives. Librarians are busy preparing the next gallery exhibition, to be installed in August 2020, which will explore the history of voting rights in the United States.
The people who have organized at the local level have been incredibly important to voters’ rights and their local stories make up the larger national story of changes to American voting rights throughout this nation’s history. “Get Out the Vote”, the upcoming exhibition will feature material from our collections that illustrate the history and stories of those who have organized to “get out the vote.”
A new exhibit in the Maryland Room celebrates Black and Women’s History Months. Two cases showcase works by and about black women, including essays, poetry, and black student newspapers. They feature civil rights icons like Angela Davis, Pauli Murray, Maya Angelou, and Shirley Chisholm.
Another case explores intersectional feminism as a whole. It includes documents by and about lesbian and trans women, disabled women, Native American and Chicana women, working class women, older women, and women from developing countries.
What is intersectional feminism? Put simply, intersectional feminism emphasizes the fact that all women have different experiences and identities. People are often disadvantaged by more than one source of oppression: their race, class, sexual orientation, religion, or nationality may affect their experience as a woman. Intersectionality explores how multiple identities interact with each other, especially within the frameworks of oppression and marginalization.
A new exhibit in the Maryland Room celebrates rare books that share a common physical attribute – their unique format. Specifically their shape and size! Thin and thick. Big and small. Folio. Miniature. Quadragesimo-Octavo. From the tiniest book in our collections that can be held in the palm of a hand to larger works that require two people to move, these books showcase the variety of shapes and sizes utilized by bookmakers over the centuries.
Physical attributes such as book dimensions raise compelling questions for those interested in book history. For example: Why did the printer choose such a small format? Who is the intended audience for a massive book? How does size affect the experience of reading a book? Format and size has an impact on price, accessibility, and construction of a book. Along with other physical attributes, it is an important element to examine when investigating the history and usage of a rare book.
Three exhibit cases in the Maryland Room contain oversize and miniature books dated from the 1400s to the 1900s, all part of the Rare Books collection in Special Collections and University Archives. The oldest item, featuring an impossibly small font meticulously lettered by hand, is a vellum manuscript leaf from Italy, dated 15th century. It measures roughly 4 inches high (including large page margins). On display alongside the illuminated manuscript leaf is a miniature edition of the Reliquiae sacrae Carolinae. Or, the works of that great monarch and glorious martyr King Charles the I , printed in Hague in 1657.
On display now in the Maryland Room in Hornbake Library through the end of 2019…
One of the largest and most significant collections found in Special Collections and University Archives are the records of the Children’s Television Workshop, best known as the creator of Sesame Street. The collection contains research studies, production notes, memos and correspondence, promotional material, viewer mail, and other material documenting the first twenty years of the Workshop and its programs.
To observe the 50th
anniversary of the first airing of Sesame Street in November 1969, we are
highlighting the ways the Workshop used newsletters to communicate with
educational broadcasters, school officials, health educators, and parents.
These newsletters and many others found in the records of the Children’s Television Workshop provide detailed insight into the activities and programs of the Workshop, including some of their lesser known programs.
If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes! Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.
Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s. His first novel If He Hollers Let Him Go was published in 1945.
Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).
Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.
Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery. The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.
In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”
Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.
Explore more literary collections held at Special Collections and University Archive here!
Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!
Special Collections in Mass Media & Culture is pleased to announce the exhibit “Made Possible By Viewers Like You: Maryland Public Television Turns 50” is now on display in the Maryland Room Gallery at Hornbake Library through July 2020. It celebrates the milestone anniversary of Maryland’s only statewide TV broadcaster, and highlights the fruitful partnership between MPT and UMD Libraries.
The exhibit includes artifacts and documents from 1969 to the present, including the very first Program Journal from 1969, an original script from the 1977 production “Bartleby, the Scrivener”, a GoPro camera smashed during a Motorweek shoot, a trophy case filled with Emmys® and other prestigious awards, and dozens of videos featuring segments from some of their best-known programs.
Nothing in the exhibit would have survived if MPT hadn’t taken great care to preserve their rich and unique history. Unlike most other TV stations—commercial and noncommercial alike—MPT has dedicated the resources to maintain an archive both at its Owings Mills headquarters and at the University of Maryland. After UMD Libraries established the National Public Broadcasting Archives in 1990, MPT was one of the first organizations to begin depositing print and audiovisual materials. The latter presents particular challenges because simply saving AV materials isn’t enough; due to the obsolescence of playback machines and deterioration of master copies, videotapes must be migrated to modern formats in order to ensure the content remains accessible. This is a timely and expensive process.
Fortunately, efforts to preserve public broadcasting in the U.S. have risen dramatically, thanks in large part to the American Archive of Public Broadcasting (AAPB), which just announced the availability of over 50,000 historic public media programs available in the Online Reading Room (ORR). When the AAPB launched in 2013, MPT immediately answered the call to submit programs for digitization, sending over 1500 tapes during the first phase of the project. Since then, MPT and SCUA have continued to work together to digitize their AV holdings at Hornbake Library, which are comprised of Umatic, betacam, VHS, 1” and ¾” tapes and 16mm film. As of fall 2019, nearly 700 programs have been reformatted and are steadily being uploaded into Digital Collections. The newly-established Maryland Public Television Preservation Fund is designed to support this important work well into the future.
Visit the Maryland Room Gallery and find out how MPT has become a national leader in public television and a treasured resource for the state. Hours vary by semester, check current hours online.
Post by Laura Schnitker | Ethnomusicologist, Audiovisual Archivist, and Curator of Mass Media & Culture in Special Collections and University Archives at University of Maryland Libraries
Following WWII, thousands of Lumbee Indians migrated from rural North Carolina to Baltimore City, in search of employment and a better quality of life. They settled on the east side of town, in an area that bridges the neighborhoods known as Upper Fells Point and Washington Hill.
Today, most Baltimoreans would be surprised to learn that this area was once so densely populated by Indians that it was referred to as “the reservation.” In fact, an anthropologist who did fieldwork in the community during its heyday wrote that this was “perhaps the single largest grouping of Indians from the same tribe in an American urban area.” However, the area had been slated for Urban Renewal before most Lumbees ever arrived, and it has been included in various redevelopment projects ever since.
There are but 2 active Lumbee community-owned sites remaining, where there were once more than 30, according to elders who were among the first to settle. Most of the sites have been repurposed or demolished in the years since. It is through archival research that the historic Lumbee community of East Baltimore can be mapped and reconstructed. Special Collections at University of Maryland College Park holds some of the most useful materials to this end. Featured photographs are from the Baltimore News American Photograph Collection.
This blog post and its accompanying exhibit in the main lobby of McKeldin Library chronicle the ongoing student activism at the University of Maryland, College Park (UMD) to create a culture that actively works to prevent power-based violence and support survivors of sexual assault.
Though sexual assault was not part of the public discourse at UMD prior to the 1970s, examples from the 1950s and 1960s highlight how sexual assault and rape culture impacted student life. This Associated Women Students Revised Dress Code from 1968 highlights the way that women were seen as responsible for the treatment they received based on their personal appearance, and how accepted standards of behavior based on gender roles often reinforced and obscured rape culture. Strict limitations on women’s conduct and dress connect to an ideal of purity and serve to prevent women from having sexual contact before marriage. Women were often blamed for any unwanted contact if they did not abide by these codes. Ideas like these often reinforce the idea that rape is result of the behavior or appearance of the victim, rather than the actions of the perpetrator. It is also important to note that these stark distinctions between men and women can often erase the fact that a person of any gender can be sexually assaulted.