While summer may mean the end of the school year, you can still explore library resources from home! If you have some spare time, explore hidden gems in Special Collections and University Archives like the Early Printed and Manuscript Leaf collection. The collection consists of printed and illuminated manuscript leaves from Europe dated from the 12th -16th centuries and includes some of the oldest items in Hornbake Library. There are a total of 70 whole and partial leaves, representing a variety of styles and techniques that serve as a sampling of early print and manuscript book history.Continue reading
Even if you have never studied literature you are likely familiar with authors like Ralph Waldo Emerson or Charles Dickens. While these authors may have written in different styles and about different subject matter, they were among the most notable authors of the 19th century. To learn more about Emerson, Dickens, and other notable writers of the 19th century take a look at our new libguide on 19th Century Literature!
The libguide draws attention to some of the main collecting areas for Literature and Rare Books, such as illustrated works. Hornbake’s holdings include a variety of different kinds of illustrated works that were popular in the 19th century, from scientific illustrations (Thomas Bewick’s woodcut portrayals of animals) to satirical illustrations (Punch Magazine). The libguide also features highlights from our collection of 19th century literature, such as books published by Kelmscott Press, which reacted against the consumerism and mass production of the late 19th century by producing expensive, high quality books that doubled as works of art.Continue reading
Until UMD Libraries are able to reopen, digital copies of books are one of the best ways to take advantage of library resources. Through modern technology you can now access some of the oldest and most fascinating items in the Literature and Rare Books collection.
The Internet Archive includes digitized copies of some of the highlights from Hornbake’s collection of Early Modern Books. One notable item is the digitized copy of the Biblia Sacra, a Bible published in Latin in 1516. The Biblia Sacra contains excellent woodcut illustrations of biblical stories such as Noah’s Ark or Moses and the Ten Commandments, as well as annotations made by previous readers.
Interested in French history and language? Explore digitized items from our French Pamphlet collection online! The entire collection spans from 1620 to 1966 and contains pamphlets on a variety of topics, covering everything from religion to science to the economy.
The most significant portion of the collection is on politics and social issues in France, particularly the French Revolution. The collection includes the Déclaration des Droits de l’Homme et du Citoyen, one of the most important civil rights documents of the French Revolution. The Déclaration espoused the principle of popular sovereignty and that all citizens were equal in the eyes of the law. The collection also includes pamphlets opposing the revolution, such as Le de Profundis de la Noblesse et du Clergé.
We may be self-isolating for the time being, but that doesn’t mean that we can’t travel the world! If you want to learn more about German history and culture, visit the Internet Archive to view digitized items from the University of Maryland’s collection of German books and periodicals.
This digital collection of 29 items spans from 1832 to 1923 and includes a variety of topics. With works on subjects as diverse as the Napoleonic Wars, the Dada movement, bacteriology, art and architecture, World War I, and German poetry, there is something for everyone!Continue reading
A new exhibit in the Maryland Room celebrates rare books that share a common physical attribute – their unique format. Specifically their shape and size! Thin and thick. Big and small. Folio. Miniature. Quadragesimo-Octavo. From the tiniest book in our collections that can be held in the palm of a hand to larger works that require two people to move, these books showcase the variety of shapes and sizes utilized by bookmakers over the centuries.
Physical attributes such as book dimensions raise compelling questions for those interested in book history. For example: Why did the printer choose such a small format? Who is the intended audience for a massive book? How does size affect the experience of reading a book? Format and size has an impact on price, accessibility, and construction of a book. Along with other physical attributes, it is an important element to examine when investigating the history and usage of a rare book.
Three exhibit cases in the Maryland Room contain oversize and miniature books dated from the 1400s to the 1900s, all part of the Rare Books collection in Special Collections and University Archives. The oldest item, featuring an impossibly small font meticulously lettered by hand, is a vellum manuscript leaf from Italy, dated 15th century. It measures roughly 4 inches high (including large page margins). On display alongside the illuminated manuscript leaf is a miniature edition of the Reliquiae sacrae Carolinae. Or, the works of that great monarch and glorious martyr King Charles the I , printed in Hague in 1657.Continue reading
What do Shakespeare, Thomas Hobbes, and Galileo have in common? All three were among the most prominent figures of the Early Modern era, a time period lasting roughly from 1500 to 1700. The Early Modern era was a time of political and religious upheaval. Catholics and Protestants battled with one another for power, and both France and England experienced bloody civil wars. It was also a time of innovation. Advancements in science and technology changed how people saw the world and writers such as Shakespeare contributed the period’s developing literary culture.
To learn more works printed in this era, check out our new subject guide – Early Modern Works in Special Collections!Continue reading
If you’re a fan of a good hardboiled detective novel, make sure you stop by the Maryland Room to check out our new exhibit on Chester Himes! Inspired by the 2019 AHPA annual conference hosted by UMD, “One Press: Many Hands: Diversity in the History of American Printing”, the exhibit displays the work of one of America’s most intriguing crime novelists.
Born in Jefferson City, Missouri, Chester Himes (1909-1984) began writing and publishing short stories while serving a 25 year sentence for armed robbery in Ohio Penitentiary in the 1930s. His first novel If He Hollers Let Him Go was published in 1945.
Himes moved to Paris in the 1950s, where he was celebrated in literary circles alongside fellow expatriate writers Richard Wright and James Baldwin. While in Paris he began writing pulp detective novels, including the popular Harlem Detective series, and achieved critical acclaim. In 1958, he was awarded France’s most prestigious prize for crime fiction, the Grand Prix de Littérature Policière, for The Five-Cornered Square (alternate title for For Love of Imabelle).
Himes wrote pulp fiction and protest novels that confronted issues of systemic racism in America. His unique style of noir fiction combined violence, anger, humor, absurdity, social realism, and gritty drama into an entertaining and unflinching portrayal of prejudice and corruption.
Lauded in Europe, Himes found less critical success in America, where his works were frequently published in paperback editions featuring lurid, provocative, and visually striking imagery. The cover art of these inexpensive paperbacks reveal the unique marketing of pulp fiction titles.
In response to the cover of the Dell paperback edition of Run Man Run, Himes wrote: “If it is necessary to put this type of cover… on this book in order to sell it to the American people, the American people are really and truly sick.”
Himes passed way on November 12, 1984 in Moira, Spain. Decades later, his works still provides enjoyment and debate. To see the unique and classic pulp fiction cover art featured in many American editions of Himes’ work, stop by the Maryland Room room the next time you are in Hornbake Library.
Explore more literary collections held at Special Collections and University Archive here!
Also, make sure you check out the exhibit by the entrance to the Maryland Room, Women in Print, highlighting the work of women binders, illustrators, and book artists!
From compiling lists of forbidden works to burning books, censorship has manifested in many forms over the years. Books have often been the target of censorship, usually by religious and political institutions threatened by ideas that challenge how we view the world.
Inspired by the recent School of Languages, Literatures, and Cultures symposium, a new exhibit in the Maryland Room in Hornbake Library highlights artists, authors, and texts that have been banned, erased, and branded dangerous throughout history.
In more recent history, repressive regimes like Franco’s Spain and Nazi Germany in the 1930s were notorious for censorship. Authors and artists who expressed ideas contrary to the government were banned and their books outright destroyed. In Germany and Spain, this included works by Ernest Hemmingway, George Orwell, Franz Kafka, Bertolt Brecht, and others labeled degenerative or subversive.
A new exhibit case featuring works by women writers is now on display outside the Maryland Room in Hornbake Library!