Each month, the Special Collections displays rare, unique items from our collection that resonate with present-day events. On March 1st through March 31, 2013, visit the Maryland Room on the 1st floor of Hornbake Library and delve deeper into women’s history.
Our display honors International Women’s Day on March 8th.
I think how wonderful it would be if some writer could find a formula for giving women the substance and not the shadow of life.
– Mona Kent, in an interview with Time Magazine. September 12, 1949.
Mona Kent (1909-1990) was a radio and TV script writer. She wrote every episode of radio soap opera “Portia Faces Life.” Kent defines the problem driving the emotion in this soap opera as “a conflict between her wish to be a wife and mother, to keep a neat and cheerful home for her husband, Walter, and raise his children properly–and the ever-recurring necessity of being a lawyer and career woman in order to keep groceries in the kitchen.” Clearly, Kent had identified a relevant, divisive problem: an article in “Radio and Television Mirror” in 1950 asks readers, “Does a working wife cheat her family?” and encouraged women to write in with their opinions.
In an interview with Time Magazine, Kent criticizes the soap opera women for the success and power that derives from a set of self-sacrificing virtues. The writer speculated that “possibly, the American woman feels actually so dependent, economically and emotionally, that she has to appease her insecurity by identifying herself with one or more soap opera heroines.” In her novel, Mirror, Mirror on the Wall, Kent writes, “how much should a woman sacrifice for the man she loves?” To Kent, a virtuous and self-sacrificing woman like Portia, defined only by her love for her husband and children, lives only as a formula for soap-opera heroines.